Sword to weigh gold, Drummond, 124.
Symbol, more exact use, Pindar, Æschy-
lus, Cudworth, Shakespeare, 2.
Symbols and Emblems, almost convertible
terms, I; yet a difference, 2.
Symbolic properties of animals, 28.
Symbolical imagery, fine example of, 377.
T, O. L., Nef des Folz. 7, Paris, 1499,
P. xiii.
1. Taëgius, referred to by Menestrier, 79.
Tambaco, Speculũ-pacītierum, 1509, p. 65.
Tasso, Torq., Discorsi del poeme, 79, 92.
Tasso, Herc., referred to by Menestrier,
79.
Taurellius, Emblema physico-ethica, 1595,
pp. 94, 96.
Tewrdannckh, in honour of Maximilian I.,
dedicated to Charles V., splendid vo-
lume, 67.
Théatre des animaux, 93. See Desprez.
Todtentanz, the original editions, 1485 to
1490, not by the Holbeins, 56.
Trebatius, Latin version of Horapollo, 1515,
p. 64.
Triumphwagen, 67. See Durer.
Troiano, Discorsi delli triomfi, 1568,
P. 86.
¿Turnier-buch, 68. See Durer.
Typotius, 1601-1603, p. 95. See Sadeler.
2. 't Geld vermagalles, 177; Temere ac
periculose, or Temerité dangereuse, 152;
Tempus irrevocabile, 36, 490; Tempus
omnia terminat, 323; Te stante virebo,
124; Time terminates all, 323; Trino
non convenit orbis, 124; True as needle
to the pole, 334; True as steel, 337.
3. Tennyson, Elaine, 30.
Tibullus, on lovers' vows, quoted, 328.
Timperley, Dictionary of printers, 1839,
PP. 44, 56.
Titian, Triumph of truth and fame, 32; his
paintings, III, 114.
Tod, remarks on Spenser, 137.
4. Tabley, Cheshire, ancient hall of the
Leycesters, with emblem, 131.
Talbot, earl of Shrewsbury, 207, 227.
Theatre, human life, Boissard, Plate XIV.,
405; Shakespeare, 406.
Theological conjecture, a curious, 383.
Thieves, so triumph, 319.
Things at our feet, Whitney, Sambucus,
411; Types of powers to be used,
Shakespeare, 412.
Thingwall, the emblem library there, 86.
Thompson, H. Yates, of Thingwall, 5,
Thread of life, Horapollo, 454; Shake-
speare, 455.
Time flying, Sambucus, 466; Whitney,
467; Plutarch, 468; Shakespeare, 468,
469; Turning back, Shakespeare, 473.
Time leads the seasons, Vænius, Horace,
Plate XVII., 491; Shakespeare, 491.
Timon of Athens, Dr. Drake, 426; North,
Plutarch, Sambucus, 426, 427; Shake-
speare, 428, 429; Epitaph, 430; Mode
of death, 431.
Titus, son of Vespasian, his emblem, 16.
Tongue with bat's wings, Cullum and
Paradin, 128.
Tree of life, 126. See Arrow wreathed.
Tree in a churchyard, Drummond, 124.
Triangle, sun and circle, Drummond, 124.
Triumph scene in the Pericles, 1589, pp.
160-186.
Tronus Cupidinis, De Passe, 348.
Trophy on a tree, Drummond, 124.
True as needle, Sambucus, 334; Whitney,
335; Shakespeare, 336; lode stars, 336.
True as steel, 337.
True men so yield, 319.
Truth, an emblem so named, 20.
Turkeycock, Freitag, Camerarius, 357;
Shakespeare, 358.
1. Ulloa, Alphonsus, 1561, Menestrier,
79.
2. Unde, 124, note; Undique, 123 ; Unica
semper avis, 385; Unum quidem, sed
leonem, 124; Ut casus dederit, 124;
Ut parta labuntur, 128; Utilia prudenti,
imprudenti futilia, 53.
4. Ulysses and Diomed as an emblem, 5.
Unicorn, 371; Reusner, Brucioli, Penny
Cyclopædia, and Camerarius, 372;
Shakespeare, 373.
1. Vænius, 93; Zinnebeelaen, 1603, p. 98;
Q. Horatii Fl. Emblemata, 1607 & 1612,
pp. 36, 95; Amorum Emblemata, Latin,
English, and Italian, 1608, pp. 95, 99 ;
Amorum Emblemata, Spanish, 1608,
pp. 99, 122; Amoris Divini Emblemata,
Valence, Emblesmes-du Segnor Espagnol,
1608, pp. 93, 94.
Valerian, 80. See Pierius.
Vander Noot's Theatre, &c., 1568, pp. 87,
91.
Van Ghelen, Flem. trans. Navis stultorum,
1584, p. 90.
Van Vischer, Sinnepoppen (Emblem play),
1614, p. 98.
Verdier, trans. into French, Imagini, &c.,
1581, p. 87.
Villava, Empresas Espirituales, &c., 1613,
p. 99.
Virgil Solis, 85; Libellus sartorum, 1555,
p. 77; Figures for the New Testament,
and Artistic book of animals, between
1560 and 1568, p. 85.
Volucribus, de, sive de tribus columbis,
MS., 13th century, 44.
2. Vel post mortem formidolosi, 205;
Veritas armata, 123; Veritas invicta,
264; Via, veritas, vita, 462; Victrix
animi equitas, 314; Victrix casta fides,
371; Video et taceo, 208; Vigilantia et
custodia, 210; Vina coronat, 101; Vincit
qui patitur, 315; Violentior exit, 154;
Vipera vim perdet, sine vi pariente puella,
47; Virgo salutatur, innupta manens gra-
vidatur, 47; Virtuti fortuna comes, 211;
Viue ut viuas, 444; Volat irrevocabile
tempus, 36, 494; Voluptas ærumnosa,
277; Vijt Adams appel Sproot, Ellende
Zonde en Doodt, 132.
3. Vænius, quoted, Butterfly and candle,
152; Christian Love presenting the soul
to Christ, Plate II., 32; Conscience, 421;
Cupid felling a tree, 324; Elm and vine,
308; Fortune, 263; Rose and thorn,
333; Ship sailing, 437; Time leading
the seasons, Plate XVII., 490, 491;
Two Cupids at work, 179; Venus dis-
pensing Cupid from his oaths, 328;
Wounded stag, 399; Amorum Em-
blemata, Latin, English, and Italian,
179, 437.
Van der Veen, Adams appel, 1642, Plate
X., 132.
Van Hooghe, Frontispiece of Cebes, 1670,
p. 13.
Virgil, Eneid, Bees, 359; Circe, 251;
Crests, 14; Shield of Æneas, 20; Sinon,
194; Stag wounded, 398; Swan, 214;
L'Eneide de Virgile, Lyons, 1560, p. 36.
4. Van Hooft, illustrious Dutch poet, 98.
Varieties of Emblems, 18; great, 34.
Vases with emblems, Warwick, 10; Italo-
Græco, 19.
Venus dispensing Cupid from his oaths,
328.
Verard, 1503, publisher of Les figures, &c.,
63.
Vine and olive, Whitney, Alciat, 249.
Vine watered with wine, Drummond, 124.
Volvelle, astrological, 42.
Vostre, Simon, of Paris, printer, 39-
W, O. L., Symeoni's Vita d'Ovidio, Lyons,
1559, p. 1.
1. Watson, Shyppe of Fooles, 1509, pp. 57,
65, 119.
Whitney, Choice of Emblemes, 1586, pp.
91, 120.
Willet, Sacrorum Emblematum Centuria,
1598, pp. 99, 100, 119, 120.
Wohlgemuth, Libri cronicarum, 1493,
p. 56.
Wyrley, True use of armorie, 1592, pp.
99, 100.
2. Wat den mensch aldermeest tot' conste
verwect? 82; Where the end is good,
all is good, 437; With manie blowes the
oke is ouerthrowen, 324.
3. Walcott, Sacred Archæology, 1868,
p. 27.
Waller, master-bee, 363.
Wedgwood, Life of, fictile ornament, 19.
Whitney, Fac-simile Reprint, 1866, p. 172;
Emblems quoted by Knight to illustrate
Hamlet, 396.
Whitney, quoted:-Definition of Emblems,
6; Actæon, 278; Adam hiding, 416;
Æneas bearing Anchises, 191; Ants and
grasshopper, 148; Ape and miser's gold,
128, 487; Arion and the dolphin, 281 ;
Astronomer and magnet, 335; Bacchus,
248; Ban-dog, 483; Barrel with holes,
332; Bear and ragged staff, 236; Bees,
361, 364; Brasidas, 195; Brutus, 202;
Chaos, 450; Child and motley fool,
484; Circe, 251; Cupid and death, 402;
Diligence and idleness, 146; Dog baying
the moon, 270; D. O. M., 464;
Drake's ship, 413; Elephant, 196; Elm
and vine, 308; Envy, 432; Fame armed
with a pen, 446; Fardel on a swimmer,
480; Fleece, golden, 229, 230; Fore-
head, 129; Fox and grapes, 311; Gold
on the touchstone, 178; Hares and dead
lion, 305; Harpocrates, silence, 208;
Hen eating her own eggs, 412; Hope
and Nemesis, 182; Icarus, 288; Intro-
ductory lines, D. O. M., 464; Inverted
torch, 173; Janus, 139, note; Laurel,
423; Lottery in London, 208; Medeia,
190; Mercury and lute, 256; Mouse
and oyster, 130; Narcissus, 295; Niobe,
293; Oak and reed, 315; Occasion,
260; Orpheus, 272; Ostrich stretching
out its wings, 370; Pelican, 395; Phoenix,
387; Pine-trees in a storm, 476; Pro-
metheus, 267; Rose and thorn, 333;
Ruins and writings, 443; Serpent in the
bosom, 199; Shadows, 468; Ship tossed
by the waves, 435; Ship sailing forward,
436; Sirens, 254; Skull, 338; Snake
in the grass, 340; Snake on the finger,
342; Student entangled, 441; Sun set-
ting, 323; Swan, of poets, 217; Sword
on an anvil, 327; Time flying, 467;
Vine and olive, 249; Wreaths on a
spear, 222; Wrongs on marble, 460.
Wrangham, Plutarch, 431.
4. Walker, Rev. T., 462.
Waves and siren, 125, note; Waves with
sun over them, 125.
Wheat among bones, Paradin, 183; Came-
rarius, 184; Boissard and Messin, 185.
Wheel rolling into the sea, 124.
Whitehall, collection of paintings there,
founded by Henry VIII. and Charles I.,
Who against us? Paradin and Whitney,
342; Shakespeare, 343.
Wilbraham, Tho., Esq., the old English
gentleman, 467.
William III., history of, in medals, 14.
Wings and feathers scattered, 124.
Wolf and ass, a fable, 52-54.
Woltmann, Holbein and his time, Death's
fool, 471; Shakespeare's mistakes as to
costume, 106.
Woodcock, so strives the, with the gin,
Shakespeare and Æsop, 319.
Words and forms of thought, some, the
same in Whitney and Shakespeare, 463.
World, inhabited, three-cornered, earth the
centre, Brucioli, 350; Sambucus, 351;
No America, 351, 352; Shakespeare,
352; Three-nooked world, 353. -
World a stage, 133.
Wreath of chivalry, Paradin, 169; Shake-
Wreath of oak, Paradin, 224; Shakespeare,
225, 226.
Wreaths of victory, Whitney, Camerarius,
222; Shakespeare, 222, 223; Paradin,
224.
Writings remain, Whitney, 443; Boissard,
444; Shakespeare, 444, 445.
Wrongs on marble, Symeoni, 457; Para-
din, 458; Shakespeare, 459, 460:
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