Sit still, and hear the last of our sea-sorrow. Have I, thy school-master, made thee more profit For vainer hours, and tutors not so careful. pray you, sir, And now, I (For still 'tis beating in my mind,) your reason For raising this sea-storm? PRO. A most auspicious star; whose influence the story is done. Prospero, surprized that his charm does not yet work, bids her sit still; and then enters on fresh matter to amuse the time, telling her (what she knew before) that he had been her tutor, &c. But soon perceiving her drowsiness coming on, he breaks off abruptly, and leaves her still sitting to her slumbers. BLACKSTONE. 66 now I rise in As the words "now I arise "-may signify, my narration," ‚"—" now my story heightens in its consequence," I have left the passage in question undisturbed. We still say, that the interest of a drama rises or declines. STEEVENS. 9- princes] The first folio reads-princesse. HENLEY. Corrected by Mr. Rowe. MALone. ' Now my dear lady,] i. e. now my auspicious mistress. 2 I find my zenith doth depend upon A most auspicious star; whose influence STEEVENS. If now I court not, but OMIT, &c.] So, in Julius Cæsar : "There is a tide in the affairs of man, 3 "Which taken at the flood, leads on to fortune; 66 Omitted, all the voyage of their life "Is bound in shallows and in miseries." MALONE. 'tis a good dulness,] Dr. Warburton rightly observes, that this sleepiness, which Prospero by his art had brought upon And give it way;-I know thou can'st not choose.[MIRANDA Sleeps. Come away, servant, come: I am ready now; Approach, my Ariel; come. Enter ARIEL. ARI. All hail, great master! grave sir, hail! I come To answer thy best pleasure; be't to fly , On the curl'd clouds 5; to thy strong bidding, task Ariel, and all his quality". PRO. Hast thou, spirit, Perform'd to point the tempest that I bade thee? Miranda, and of which he knew not how soon the effect would begin, makes him question her so often whether she is attentive to his story. JOHNSON. 4 All hail, great master! grave sir, hail! I come To answer thy best pleasure; be't to fly, &c.] Imitated by Fletcher, in The Faithful Shepherdess : Through the rising waves," &c. HENLEY. 5 On the curl'd clouds ;] So, in Timon-Crisp heaven. STEEVENS. 6 and all his QUALITY.] i. e. all his confederates, all who are of the same profession. So, in Hamlet: "Come give us a taste of your quality." See vol. vii. p. 293,` n. 3. STEEvens. 7 Perform'd to point-] i. e. to the minutest article ; a literal translation of the French phrase-a point. So, in The Chances, by Beaumont and Fletcher: are you all fit? "To point, sir." ARI. To every article. I boarded the king's ship; now on the beak, Thus, in Chapman's version of the second book of Homer's Odyssey, we have due "Perform'd to full:" STEEvens. 8 - now on the BEAK,] The beak was a strong pointed body at the head of the ancient gallies; it is used here for the forecastle, or the boltsprit. JOHNSON. So in Philemon Holland's translation of the 2d chapter of the 32d book of Pliny's Natural History:-" our goodly tall and proud ships, so well armed in the beake-head with yron pikes," &c. STEEVENS. 9 Now in the WAIST,] The part between the quarter-deck and the forecastle. JOHNSON. And burn in many places;] Perhaps our author, when he wrote these lines, remembered the following passage in Hackluyt's Voyages, 1598: "I do remember that in the great and boysterous storme of this foule weather, in the night there came upon the toppe of our maine yard and maine-mast a certaine little light, much like unto the light of a little candle, which the Spaniards call the Cuerpo Santo. This light continued aboord our ship about three houres, flying from maste to maste, and from top to top; and sometimes it would be in two or three places at once." So also De Loier, speaking of "strange sights happening in the seas," Treatise of Spectres, 4to. 1605, p. 67, b: "Sometimes they shall see the fire which the saylors call Saint Hermes, to fly uppon their shippe, and to alight upon the toppe of the mast; and sometimes they shall perceive a wind that stirreth such stormes as will run round about their shippe, and play about it in such sort, as by the hurling and beating of the clowdes will rayse uppe a fire that will burne uppe the yardes, the sayles, and the tacklings of the shippe." While the English lay at the Bermudas, in their way to Virginia, [that is, in the year 1609 and part of 1610, when they were shipwrecked there] says Harris from the memoirs of Smith, Norwood and Strachie, "there was an extraordinary halo seen, and the thunder and lightning that followed upon it, was such as almost frighted them out of their wits." MALONE. Burton says, that the Spirits of fire, in form of fire-drakes and The yards and bowsprit, would I flame distinctly, Then meet, and join: Jove's lightnings, the pre cursors 2 O' the dreadful thunder-claps 2, more momentary And sight-out-running were not: The fire, and cracks Of sulphurous roaring, the most mighty Neptune Seem'd to besiege, and make his bold waves trem ble, But felt a fever of the mad, and play'd Some tricks of desperation: All, but mariners, Plung'd in the foaming brine, and quit the vessel3, blazing stars, "oftentimes sit on ship-masts," &c. Melanch. Part I. § 2, p. 30, edit. 1632. T. WARTON. 2 precursors O' the dreadful thunder-claps.] So, in King Lear: STEEVENS. 3 Yea, his dread trident shake.] Lest the metre should appear defective, it is necessary to apprize the reader, that in Warwickshire and other midland counties, shake is still pronounced by the common people as if it was written shaake, a dissyllable. FARMER. The word shake is so printed in Golding's version of the 9th book of Ovid's Metamorphoses, edit. 1575: 66 Hee quaak't and shaak't and looked pale," &c. STEEVENS. 4 But felt a fever of the mad,] If it be at all necessary to explain the meaning, it is this: Not a soul but felt such a fever as madmen feel, when the frantic fit is upon them.' STEEVENS. 5-and QUIT the vessel,] Quit is, I think, here used for quitted. See before, p. 36: 66 they prepar'd Then all a-fire with me: the king's son, Ferdinand, With hair up-staring (then like reeds, not hair,) Was the first man that leap'd; cried, Hell is empty, And all the devils are here. 6 On their sustaining garments not a blemish, PRO. Of the king's ship, The mariners, say, how thou hast dispos'd, ARI. 6-sustaining] i. e. their garments that bore them up and supported them. Thus, in Chapman's translation of the eleventh Iliad : "Who fell, and crawled upon the earth with his sustaining palmes." Again, in King Lear, Act IV. Sc. IV.: "In our sustaining corn." Again, in Hamlet: 66 Her clothes spread wide And, mermaid-like, a while they bore her up." Mr. M. Mason, however, observes that "the word sustaining in this place does not mean supporting, but enduring; and by their sustaining garments, Ariel means their garments which bore, without being injured, the drenching of the sea." STEEVENS. 7 From the still-vex'd BERMOOTHES,] Fletcher, in his Women Pleased, says, "The devil should think of purchasing that eggshell to victual out a witch for the Beermoothes." Smith, in his |