Shakespeare: the Dark Comedies to the Last Plays: From Satire to CelebrationUniversity Press of Virginia, 1971 - 186 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 40.
Strana 23
... appears that no solution is possible , and the harsh polarities established in the action and in the speeches in this scene reflect in their bleakest extremity the oppositions which form the basis of the dramatic shaping of the play ...
... appears that no solution is possible , and the harsh polarities established in the action and in the speeches in this scene reflect in their bleakest extremity the oppositions which form the basis of the dramatic shaping of the play ...
Strana 133
... appear as acceptable guests at the feast ; Autolycus appears in a new guise as a pedlar , having changed from the rags he was wearing in IV.iii . Perdita is pranked up as queen , ' no shepherdess ' to Florizel , but ' Flora , Peering in ...
... appear as acceptable guests at the feast ; Autolycus appears in a new guise as a pedlar , having changed from the rags he was wearing in IV.iii . Perdita is pranked up as queen , ' no shepherdess ' to Florizel , but ' Flora , Peering in ...
Strana 134
... appear as a simple and gentle old man , which is perhaps to ' mend nature ' if his real self appears only when he throws off his disguise to vent his anger on Florizel , Perdita and the Shepherd . Having made his angry threats ...
... appear as a simple and gentle old man , which is perhaps to ' mend nature ' if his real self appears only when he throws off his disguise to vent his anger on Florizel , Perdita and the Shepherd . Having made his angry threats ...
Obsah
Shakespeare and satirical comedy | 7 |
Shakespeare and satirical tragedy | 63 |
Shakespeares last plays | 94 |
Autorské práva | |
1 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Shakespeare: the Dark Comedies to the Last Plays: From Satire to Celebration R. A. Foakes Zobrazenie úryvkov - 1971 |
Časté výrazy a frázy
accept Achilles action actor All's Alonso Angelo and Isabella Antigonus Antonio and Mellida Antonio's Revenge appears Arden edition Ariel audience Autolycus Belarius Bertram Caliban Camillo characters clash Claudio Cloten Clown comic Coriolanus court courtiers Cymbeline dark comedies death disguise dramatic Duke effect essay evil Ferdinand figure Florizel fool fortune Gonzalo Hamlet heavens Hector Helena Henry Hermione hero heroic honour human humour Imogen John Marston Jonson kind King last plays Leontes Lucio lust Macilente magic Malevole marriage Marston masque Measure for Measure Mendoza Milan Miranda moral murder nature opening scene Pandarus Parolles passion Paulina Perdita perspective Pietro Pisanio play's Polixenes Pompey Posthumus present Prospero queen Revenger's Tragedy role satirical says seems seen Sejanus sense Shakespeare shows speak speech stage stance Stephano strange Tempest theatrical thee Thersites thou tonality Trinculo Troilus and Cressida truth virtue vision Winter's Tale Wolsey words