Shakespeare: the Dark Comedies to the Last Plays: From Satire to CelebrationUniversity Press of Virginia, 1971 - 186 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 34.
Strana 1
... stage , ' the most depersonalized ' of Shakespeare's plays , and ' the most difficult to bring to life in the theatre'.2 Much of the growing body of criticism of these plays has encouraged , and still fosters , such a view , for there ...
... stage , ' the most depersonalized ' of Shakespeare's plays , and ' the most difficult to bring to life in the theatre'.2 Much of the growing body of criticism of these plays has encouraged , and still fosters , such a view , for there ...
Strana 68
... stage ; Pandulpho weeps too , and cries : Why , all this while I ha ' but play'd a part , Like to some boy that acts a tragedy , Speaks burly words and raves out passion ; But when he thinks upon his infant weakness , He droops his eye ...
... stage ; Pandulpho weeps too , and cries : Why , all this while I ha ' but play'd a part , Like to some boy that acts a tragedy , Speaks burly words and raves out passion ; But when he thinks upon his infant weakness , He droops his eye ...
Strana 103
... stage . It may be seen as one means of preventing us from identifying ourselves with a character , or taking the action too seriously , at any rate on a literal level . The famous stage direc- tion in Act V for Jupiter to descend ' in ...
... stage . It may be seen as one means of preventing us from identifying ourselves with a character , or taking the action too seriously , at any rate on a literal level . The famous stage direc- tion in Act V for Jupiter to descend ' in ...
Obsah
Shakespeare and satirical comedy | 7 |
Shakespeare and satirical tragedy | 63 |
Shakespeares last plays | 94 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
Shakespeare: the Dark Comedies to the Last Plays: From Satire to Celebration R. A. Foakes Zobrazenie úryvkov - 1971 |
Časté výrazy a frázy
accept Achilles action actor All's Alonso Angelo and Isabella Antigonus Antonio and Mellida Antonio's Revenge appears Arden edition Ariel audience Autolycus Belarius Bertram Caliban Camillo characters clash Claudio Cloten Clown comic Coriolanus court courtiers Cymbeline dark comedies death disguise dramatic Duke effect essay evil Ferdinand figure Florizel fool fortune Gonzalo Hamlet heavens Hector Helena Henry Hermione hero heroic honour human humour Imogen John Marston Jonson kind King last plays Leontes Lucio lust Macilente magic Malevole marriage Marston masque Measure for Measure Mendoza Milan Miranda moral murder nature opening scene Pandarus Parolles passion Paulina Perdita perspective Pietro Pisanio play's Polixenes Pompey Posthumus present Prospero queen Revenger's Tragedy role satirical says seems seen Sejanus sense Shakespeare shows speak speech stage stance Stephano strange Tempest theatrical thee Thersites thou tonality Trinculo Troilus and Cressida truth virtue vision Winter's Tale Wolsey words