Working Up a Part: A Manual for the Beginning Actor

Accent on Youth acting aesthetic aloud AMANDA ARCHIBALD MACLEISH attention attitude audience basic beginning actor BRACK breath chapter character characterization chest clarity climax consonants course Dartmeet dear dialogue directions director effect ELIZABETH ELLEN ELYOT emotional ESSEX EUSTASIA exercises expression feel focus gesture hand HEDDA Hedda Gabler HIBBARD HORACE ideas illusionistic imagination important interest IRENE JOHN LEONORA light LILIOM lines look MARY MATT MAXWELL ANDERSON meaning mechanical ment merely mind mood motivations move movement muscles nasal nature never NICHOLAS normal OLD GENTLEMAN pantomime patterns performance persons pitch Play Production play's Preface to Morals pronunciation reading REGINA rehearsal relatively relaxed Reprinted by permission resonance scene sense soft palate sound speak spectator speech stage Stanislavski system stressed Stuart Chase student suggest theater theatrical things thought tion tone usually vocal vowel W. S. GILBERT Walter Lippmann whole York