Critical worksT. Cadell and W. Davies, Strand, 1811 |
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Strana xxxi
... Poetry . On the Provinces of Dramatic Poetry . On Poetical Imitation . On the Marks of Imitation . VOL . III . and IV . MORAL AND POLITICAL DIALOGUES . VOL . III . On Sincerity in the Commerce of the World . On Retirement . On the Age ...
... Poetry . On the Provinces of Dramatic Poetry . On Poetical Imitation . On the Marks of Imitation . VOL . III . and IV . MORAL AND POLITICAL DIALOGUES . VOL . III . On Sincerity in the Commerce of the World . On Retirement . On the Age ...
Strana 5
... Poetry . DISSERTATION II . On the Provinces of Dramatic Poetry . DISSERTATION III . On Poetical Imitation . DISSERTATION IV . On the Marks of Imitation , CONTENTS OF THE FIRST VOLUME . INTRODUCTION , On Epistolary On the Idea of ...
... Poetry . DISSERTATION II . On the Provinces of Dramatic Poetry . DISSERTATION III . On Poetical Imitation . DISSERTATION IV . On the Marks of Imitation , CONTENTS OF THE FIRST VOLUME . INTRODUCTION , On Epistolary On the Idea of ...
Strana 14
... poetry . It will be necessary to say some- thing upon each . 1. That the Art of poetry , at large , is not the proper subject of this piece , is so apparent , that it hath not escaped the dullest and least attentive of its critics . For ...
... poetry . It will be necessary to say some- thing upon each . 1. That the Art of poetry , at large , is not the proper subject of this piece , is so apparent , that it hath not escaped the dullest and least attentive of its critics . For ...
Strana 16
... poet's purpose had been to write a criticism of the art of poetry at large , and not , as is here shewn , of the Roman drama in parti- cular . But there is something more to be observed , in the case of HEINSIUS . For , as will be made ...
... poet's purpose had been to write a criticism of the art of poetry at large , and not , as is here shewn , of the Roman drama in parti- cular . But there is something more to be observed , in the case of HEINSIUS . For , as will be made ...
Strana 24
... poet's practice , so far only , as we are enabled to judge of it by the standard of the preceding rules . III ... poetry in the epistle , we are about to examine . 2. This one point , however it hath not been scene , is constantly ...
... poet's practice , so far only , as we are enabled to judge of it by the standard of the preceding rules . III ... poetry in the epistle , we are about to examine . 2. This one point , however it hath not been scene , is constantly ...
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absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attention authority beauty Bishop Brewood censure character chorus Cicero comedy COMMENTARY common composition Creon critic Dacier dicere drama elegance enim Ennius epistle EPISTOLA epithets etiam Euripides excellence expression facundia further genius give Greek Hartlebury hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius Majesty manner means Medea Menander modern moral Multa nature nexion numbers nunc objects observed occasion old comedy Oscan painting passage passion peculiar Peleus piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says scene sense sentiments shew shewn Sophocles speaking species sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
Populárne pasáže
Strana 76 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Strana 29 - Inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 assuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros, aut flumen Rhenum aut pluvius describitur arcus. sed nunc non erat his locus. et fortasse cupressum scis simulare.
Strana 42 - Incident, nee quarta loqui persona laboret. .Actoris partes chorus officiumque virile Defendat," neu quid medios intercinat actus, Q,uod non proposito conducat et haereat apte...
Strana 39 - Semper ad eventum festinat et in medias res Non secus ac notas auditorem rapit, et quae Desperat tractata nitescere posse relinquit ; 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Strana 37 - Si quid inexpertum scenae committis et audes Personam formare novam, servetur ad imum Qualis ab incepto processerit, et sibi constet.
Strana 38 - Priami cantabo et nobile bellum. ' quid dignum tanto feret hic promissor hiatu ? parturient montes, nascetur ridiculus mus. quanto rectius hic qui nil molitur inepte : 140 ' die mihi, Musa, virum, captae post tempora Troiae qui mores hominum multorum vidit et urbes.
Strana 18 - Horace still charms with graceful negligence, And without method talks us into sense; Will, like a friend, familiarly convey The truest notions in the easiest way. He, who supreme in judgment, as in wit, Might boldly censure, as he boldly writ, Yet judg'd with coolness, tho' he sung with fire; His precepts teach but what his works inspire.
Strana 293 - Dicitur Afrani toga convenisse Menandro ; Plautus ad exemplar Siculi properare Epicharmi ; Vincere Caecilius gravitate, Terentius arte. Hos ediscit, et hos arto stipata theatro Spectat Roma potens ; habet hos numeratque poetas Ad nostrum tempus, Livi scriptoris ab aevo.
Strana 302 - Cum sociis operum, pueris et conjuge fida, Tellurem porco, Silvanum lacte piabant, Floribus et vino Genium memorem brevis aevi. Fescennina per hunc inventa licentia morem 145 Versibus alternis opprobria rustica fudit...
Strana 56 - Tyrtaeusque mares animos in Martia bella versibus exacuit : dictae per carmina sortes, et vitae monstrata via est, et gratia regum Pieriis...