Critical worksT. Cadell and W. Davies, Strand, 1811 |
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Výsledky 1 - 5 z 47.
Strana 24
... practice , so far only , as we are enabled to judge of it by the standard of the preceding rules . III . These rules are reducible to three . 1. that there be an unity in the subject . 2. a connexion in the method and 3. that such ...
... practice , so far only , as we are enabled to judge of it by the standard of the preceding rules . III . These rules are reducible to three . 1. that there be an unity in the subject . 2. a connexion in the method and 3. that such ...
Strana 40
... practice of Homer and the epic writers ; and directs , at the same time , by what means to avoid that servility and unoriginal air , so often charged upon such pieces . I said characters and subjects , for his me thod leading him to ...
... practice of Homer and the epic writers ; and directs , at the same time , by what means to avoid that servility and unoriginal air , so often charged upon such pieces . I said characters and subjects , for his me thod leading him to ...
Strana 42
... practice of Homer . Having thus considered the affair of imitation , and shewn how old characters , and , to carry it still further , old subjects , may be successfully treated , he resumes the head of characters , and proceeds more ...
... practice of Homer . Having thus considered the affair of imitation , and shewn how old characters , and , to carry it still further , old subjects , may be successfully treated , he resumes the head of characters , and proceeds more ...
Strana 45
... practice the harmony of the -regular chorus in aftertimes had its rise , he takes occa- sion to digress [ from v . 202 to 220 ] in explaining the simplicity and barbarity of the old , and the refinements of the later , music . The ...
... practice the harmony of the -regular chorus in aftertimes had its rise , he takes occa- sion to digress [ from v . 202 to 220 ] in explaining the simplicity and barbarity of the old , and the refinements of the later , music . The ...
Strana 67
... practice of the epic models . Though , to preserve the unity of his piece , and for the reason before given in note on v . 1. he hath artfully done this under the cover of general criticism . 19. SED NUNC NON ERAT HIS LOCUS . ] If one ...
... practice of the epic models . Though , to preserve the unity of his piece , and for the reason before given in note on v . 1. he hath artfully done this under the cover of general criticism . 19. SED NUNC NON ERAT HIS LOCUS . ] If one ...
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Časté výrazy a frázy
absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attention authority beauty Bishop Brewood censure character chorus Cicero comedy COMMENTARY common composition Creon critic Dacier dicere drama elegance enim Ennius epistle EPISTOLA epithets etiam Euripides excellence expression facundia further genius give Greek Hartlebury hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius Majesty manner means Medea Menander modern moral Multa nature nexion numbers nunc objects observed occasion old comedy Oscan painting passage passion peculiar Peleus piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says scene sense sentiments shew shewn Sophocles speaking species sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
Populárne pasáže
Strana 76 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Strana 29 - Inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 assuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros, aut flumen Rhenum aut pluvius describitur arcus. sed nunc non erat his locus. et fortasse cupressum scis simulare.
Strana 42 - Incident, nee quarta loqui persona laboret. .Actoris partes chorus officiumque virile Defendat," neu quid medios intercinat actus, Q,uod non proposito conducat et haereat apte...
Strana 39 - Semper ad eventum festinat et in medias res Non secus ac notas auditorem rapit, et quae Desperat tractata nitescere posse relinquit ; 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Strana 37 - Si quid inexpertum scenae committis et audes Personam formare novam, servetur ad imum Qualis ab incepto processerit, et sibi constet.
Strana 38 - Priami cantabo et nobile bellum. ' quid dignum tanto feret hic promissor hiatu ? parturient montes, nascetur ridiculus mus. quanto rectius hic qui nil molitur inepte : 140 ' die mihi, Musa, virum, captae post tempora Troiae qui mores hominum multorum vidit et urbes.
Strana 18 - Horace still charms with graceful negligence, And without method talks us into sense; Will, like a friend, familiarly convey The truest notions in the easiest way. He, who supreme in judgment, as in wit, Might boldly censure, as he boldly writ, Yet judg'd with coolness, tho' he sung with fire; His precepts teach but what his works inspire.
Strana 293 - Dicitur Afrani toga convenisse Menandro ; Plautus ad exemplar Siculi properare Epicharmi ; Vincere Caecilius gravitate, Terentius arte. Hos ediscit, et hos arto stipata theatro Spectat Roma potens ; habet hos numeratque poetas Ad nostrum tempus, Livi scriptoris ab aevo.
Strana 302 - Cum sociis operum, pueris et conjuge fida, Tellurem porco, Silvanum lacte piabant, Floribus et vino Genium memorem brevis aevi. Fescennina per hunc inventa licentia morem 145 Versibus alternis opprobria rustica fudit...
Strana 56 - Tyrtaeusque mares animos in Martia bella versibus exacuit : dictae per carmina sortes, et vitae monstrata via est, et gratia regum Pieriis...