Critical worksT. Cadell and W. Davies, Strand, 1811 |
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Výsledky 1 - 5 z 24.
Strana 16
... subject , but , also , from a total inapprehension of the genuin charm and beauty of the epistolary method . And , be- b Præf , in LIB . POET . et 1. vi . p . 338 . cause I take this to be a principal cause of 16 INTRODUCTION .
... subject , but , also , from a total inapprehension of the genuin charm and beauty of the epistolary method . And , be- b Præf , in LIB . POET . et 1. vi . p . 338 . cause I take this to be a principal cause of 16 INTRODUCTION .
Strana 17
Richard Hurd. cause I take this to be a principal cause of the wrong interpretations , that have been given of all the epistles of Horace ; and it is , in itself , a point of curious criticism , of which little or nothing hath been said ...
Richard Hurd. cause I take this to be a principal cause of the wrong interpretations , that have been given of all the epistles of Horace ; and it is , in itself , a point of curious criticism , of which little or nothing hath been said ...
Strana 22
... A striking picture of real grief ! d Vel tibi composita cantetur EPISTOLA voce ; IGNOTUM HOC ALIIS ILLE NOVAVIT Opus . ART . AMAT . 1. iii , v . 345 . and directing them to one principal view ; and su- 22 INTRODUCTION .
... A striking picture of real grief ! d Vel tibi composita cantetur EPISTOLA voce ; IGNOTUM HOC ALIIS ILLE NOVAVIT Opus . ART . AMAT . 1. iii , v . 345 . and directing them to one principal view ; and su- 22 INTRODUCTION .
Strana 23
... principal end and point in view . But the Di- dactic , being of a cooler and more sedate turn , pur- sues its design uniformly and connects easily . The Elegiac , on the contrary , whose end is emotion , not instruction , hath all the ...
... principal end and point in view . But the Di- dactic , being of a cooler and more sedate turn , pur- sues its design uniformly and connects easily . The Elegiac , on the contrary , whose end is emotion , not instruction , hath all the ...
Strana 34
... principal bene- fit , he will perceive [ to v . 45 ] where it will be useful to preserve , and where to change , the natural order of his subject , as may best serve to answer the ends of poetry . Thus far some general reflexions ...
... principal bene- fit , he will perceive [ to v . 45 ] where it will be useful to preserve , and where to change , the natural order of his subject , as may best serve to answer the ends of poetry . Thus far some general reflexions ...
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absurdity admiration affected agreeable ancient appears applied Aristotle Atellane atque attention authority beauty Bishop Brewood censure character chorus Cicero comedy COMMENTARY common composition Creon critic Dacier dicere drama elegance enim Ennius epistle EPISTOLA epithets etiam Euripides excellence expression facundia further genius give Greek Hartlebury hath Hence Hippolytus honour Horace idea imitation instance junctura kind language Latin learned Lucilius Majesty manner means Medea Menander modern moral Multa nature nexion numbers nunc objects observed occasion old comedy Oscan painting passage passion peculiar Peleus piece Plautus pleasure poem poet poet's poetic poetry precept proper propriety quæ quam quid Quintilian quod racter reader reason reflexions Roman stage rule satire satyrs says scene sense sentiments shew shewn Sophocles speaking species sunt tamen taste Telephus Thespis thing Thyestes tibi Tibia tion tragedy tragic true truth virtue whole words writers καὶ
Populárne pasáže
Strana 76 - That which is now a horse, even with a thought The rack dislimns, and makes it indistinct As water is in water.
Strana 29 - Inceptis gravibus plerumque et magna professis purpureus, late qui splendeat, unus et alter 15 assuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros, aut flumen Rhenum aut pluvius describitur arcus. sed nunc non erat his locus. et fortasse cupressum scis simulare.
Strana 42 - Incident, nee quarta loqui persona laboret. .Actoris partes chorus officiumque virile Defendat," neu quid medios intercinat actus, Q,uod non proposito conducat et haereat apte...
Strana 39 - Semper ad eventum festinat et in medias res Non secus ac notas auditorem rapit, et quae Desperat tractata nitescere posse relinquit ; 150 Atque ita mentitur, sic veris falsa remiscet, Primo ne medium, medio ne discrepet imum.
Strana 37 - Si quid inexpertum scenae committis et audes Personam formare novam, servetur ad imum Qualis ab incepto processerit, et sibi constet.
Strana 38 - Priami cantabo et nobile bellum. ' quid dignum tanto feret hic promissor hiatu ? parturient montes, nascetur ridiculus mus. quanto rectius hic qui nil molitur inepte : 140 ' die mihi, Musa, virum, captae post tempora Troiae qui mores hominum multorum vidit et urbes.
Strana 18 - Horace still charms with graceful negligence, And without method talks us into sense; Will, like a friend, familiarly convey The truest notions in the easiest way. He, who supreme in judgment, as in wit, Might boldly censure, as he boldly writ, Yet judg'd with coolness, tho' he sung with fire; His precepts teach but what his works inspire.
Strana 293 - Dicitur Afrani toga convenisse Menandro ; Plautus ad exemplar Siculi properare Epicharmi ; Vincere Caecilius gravitate, Terentius arte. Hos ediscit, et hos arto stipata theatro Spectat Roma potens ; habet hos numeratque poetas Ad nostrum tempus, Livi scriptoris ab aevo.
Strana 302 - Cum sociis operum, pueris et conjuge fida, Tellurem porco, Silvanum lacte piabant, Floribus et vino Genium memorem brevis aevi. Fescennina per hunc inventa licentia morem 145 Versibus alternis opprobria rustica fudit...
Strana 56 - Tyrtaeusque mares animos in Martia bella versibus exacuit : dictae per carmina sortes, et vitae monstrata via est, et gratia regum Pieriis...