Intentions

absolutely admirable æsthetic Aristotle art criticism artist beauty become certainly Charles Lamb Charles Reade charm cism colour creation creative critical spirit culture curious Cyril dear DECAY OF LYING delightful dreams Dvorák emotional Ernest everything exquisite eyes fact faculty fancy fascinated feel fiction George Meredith Gilbert Giorgione give Goethe Greek Hamlet highest Criticism ideal imaginative imitative instinct intellectual invented L'Assommoir less Linden House lips literature live look Lucien de Rubempré lute Lying marvellous mean ment merely method mode modernity of form mood moral Nature never painter painting pass passion perfect personality Philistine Plato pleasure poet poetry poison prose purely realise recognise Robert Elsmere secret seems self-conscious sense Shakespeare simply sordid soul sphere strange style subject-matter subtle talk tells temperament thing Thomas Griffiths Wainewright thought tion true critic truth ture visible arts Vivian vulgar Wainewright weary wonder write