Strands Afar Remote: Israeli Perspectives on ShakespeareAvraham Oz University of Delaware Press, 1998 - 307 strán (strany) This book is a collection of essays on Shakespeare and his contemporaries by Israeli writers. Topic matter includes friendship and love in the Merchant of Venice, Augustinian metaphor in As You Like It, motive, and meaning in All's Well That Ends Well, Shakespeare's translation into Hebrew, and so forth, as well as an afterword by the editor. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 39.
Strana 7
... Representation and the Rape of Voice 62 ELIZABETH FREUND " War and Lechery Confound All " : Identity and Agency in Shakespeare's Troilus and Cressida 87 MICHAEL YOGEV Motive and Meaning in All's Well That Ends Well 113 RUTH NEVO The ...
... Representation and the Rape of Voice 62 ELIZABETH FREUND " War and Lechery Confound All " : Identity and Agency in Shakespeare's Troilus and Cressida 87 MICHAEL YOGEV Motive and Meaning in All's Well That Ends Well 113 RUTH NEVO The ...
Strana 9
... Representation in Early Modern Discourse . Yedidia Itzhaki was born in Jerusalem , 1929. He is an architect , as well as a Lecturer in Hebrew literature at Bar Ilan University and the editor of Alei - Siah , a Hebrew review of ...
... Representation in Early Modern Discourse . Yedidia Itzhaki was born in Jerusalem , 1929. He is an architect , as well as a Lecturer in Hebrew literature at Bar Ilan University and the editor of Alei - Siah , a Hebrew review of ...
Strana 45
... representation of the Moor as villain , it recalls and enforces suspicion of Morocco by linking him dramatically with Shylock the Jew , a strategy that blurs the boundaries between one outsider and the other . At the beginning of act 1 ...
... representation of the Moor as villain , it recalls and enforces suspicion of Morocco by linking him dramatically with Shylock the Jew , a strategy that blurs the boundaries between one outsider and the other . At the beginning of act 1 ...
Strana 50
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Strana 54
Dosiahli ste svoj limit zobrazení tejto knihy..
Dosiahli ste svoj limit zobrazení tejto knihy..
Obsah
17 | |
38 | |
St Augustine Metaphor in As You Like It | 51 |
The Desire for Representation and the Rape of Voice | 62 |
Identity and Agency in Shakespeares | 87 |
Motive and Meaning in Alls Well That Ends Well | 113 |
The Isolation of the Tragic Protagonist | 138 |
The Politics of Tamburlaine and Julius Caesar | 151 |
Hamlets Entrails | 177 |
Othello and Woyzeck as Tragic Heroes According to Aristotle and Hegel | 204 |
Coriolanus and the Compulsion to Repeat | 232 |
A Study in Historical Poetics | 255 |
Prosper Our Colours A CaseNoncase for National Perspectives on Shakespeare and his Contemporaries | 276 |
Index | 301 |
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Časté výrazy a frázy
Achilles Adelman All's Antonio Arden Aristotle Bassanio Bertram Bialik biblical body Caesar character chivalric Christian classical Claudius comedy contemporary context Coriolanus critics cultural death death instinct Desdemona desire for representation discourse dramatic early modern English essay fantasy father figure fort/da game Freud Hamlet Haskala hath Hebrew Hegel Helena human Iago Ibid ideal identity ideological interpretation Israeli jealousy Jerusalem Jewish Julius Caesar King Lacan language literary London Lucrece Madonna male means Merchant of Venice mirror stage Moor Morocco mother motive narrative nature Nietzsche Othello Parolles play play's Pleasure Principle plot poet poetic poetry political Portia Problem Comedies protagonists reading Renaissance repetition rhetorical Richard scene sense sexual Shake Shakespeare Shylock sonnet soul speak stag symbolic Tamburlaine theater thou tion tragedy tragic conflict tragic hero trans translation Troilus and Cressida Ulysses University Press voice woman words Woyzeck York
Populárne pasáže
Strana 64 - The eye of man hath not heard, the ear of man hath not seen; man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
Strana 148 - Cold fearful drops stand on my trembling flesh. What do I fear ? myself ? there's none else by : Richard loves Richard ; that is, I am I. Is there a murderer here ? No. Yes, I am : Then fly. What, from myself ? Great reason why : Lest I revenge.
Strana 18 - It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.
Strana 180 - Will sate itself in a celestial bed, And prey on garbage. But, soft! methinks, I scent the morning air; Brief let me be: — Sleeping within mine orchard, My custom always of the afternoon, Upon my secure hour thy uncle stole, With juice of cursed hebenon in a vial, And in the porches of mine ears did pour The leperous distilment...
Strana 60 - tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Strana 64 - I have had a most rare vision. I have had a dream, — past the wit of man to say what dream it was : man is but an ass, if he go about to expound this dream.
Strana 78 - There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body. O, these encounterers, so glib of tongue, That give a coasting welcome ere it comes. And wide unclasp the tables of their thoughts To every ticklish reader ! set them down For sluttish spoils of opportunity, And daughters of the game. [Trumpet within. All. The Trojans
Strana 105 - Force should be right; or rather, right and wrong, Between whose endless jar justice resides, Should lose their names, and so should justice too. Then every thing includes itself in power, Power into will, will into appetite; And appetite, an universal wolf, So doubly seconded with will and power, Must make perforce an universal prey, And last eat up himself.