 In this poem there is no nature, for there is no truth; there is no art, for there is nothing new. Its form is that of a pastoral, — easy, vulgar, and therefore disgusting; whatever images it can supply are long ago exhausted; and its inherent improbability...  Readings in English Prose of the Eighteenth Century - Strana 388úprava: - 1911 - Počet stránok 724Úplné zobrazenie - O tejto knihe
 | Samuel Johnson - 1779 - Počet stránok 302
...Arethufe and Mincius, nor tells of rough fatyrs and fauns with cloven heel. Where there is leifure for fiction there is little grief. In this poem there...art, for there is nothing new. Its form is that of a paftoral, eafy, vulgar, and therefore difgufling : whatever images it can fupply, are long ; ago exhaufted;... | |
 | Samuel Johnson - 1779 - Počet stránok 280
...and Mincius, nor tells of rough fatyrs and fauns 'with cloven heel. Where there is leifure for fidion there is little grief. In this poem there is no nature,...art, for there is nothing new. Its form is that .of a paftoral, eafy, vulgar, and therefore difgufting : whatever images it can fupply, are long ago exhaufted... | |
 | Samuel Johnson - 1781 - Počet stránok 498
...Arctliufe and Mincius, nor tells of rough fafyn and fauns icith c/oven heel. Where there is leifure for fiction there is little grief. In this poem there...art, for there is nothing new. Its form is that of a pafroral, eafy, vulgar, and therefore difgufting: whatever images it can lupply, are long ago exhaufled... | |
 | Samuel Johnson - 1781 - Počet stránok 494
...rough fatyr$ and fauns ivith cloven heeL Where there is leifure for fi&ion there is little grief. Li this poem there is no nature, for there is no truth...art, for there is nothing new. Its form is that of a paftoral, eafy, vulgar, and therefore difgufting : whatever images it can fupply, are long ago exhaufted... | |
 | Samuel Johnson, John Hawkins - 1787 - Počet stránok 494
...upon Arethufe and Mincius, nor tells of rough fatyn and fauns with cloven heel. Where there is leifure for fiction there is little grief. In this poem there...art, for there is nothing new. Its form is that of a paftoral, eafy, vulgar, and therefore ' difgufting ; whatever images it can fupply, are long ago exhaufted... | |
 | Samuel Johnson, John Hawkins - 1787 - Počet stránok 498
...cloven heel. Where there is leifure for fiction there is little grief. In this poem there is no nalkire, for there is no truth ; there is no art, for there is nothing new. Its form is that of a paftoral, eafy, vulgar, and therefore difgufting ; whatever images it can fupply, are long ago exhaufted... | |
 | Samuel Johnson - 1795 - Počet stránok 610
...Arethufe and Mincius, nor tells of rough fatyrs and fauns with cloven heel. Where there is leifure for fiction there is little grief. In this poem there...art, for there is nothing new. Its form is that of a paftoral, eafy, vulgar, and therefore difgufting : whatever images it can fupply, are long ago exhaufted... | |
 | Samuel Johnson - 1801 - Počet stránok 476
...Arethufe and Mincius, nor tells of rough fatyrs and fauns with cloven heel. Where there is leifure for fiction, there is little grief. In this poem there...art, for there is nothing new. Its form is that of a paftoral; eafy, vulgar, and therefore difgufting ; whatever images it can fupply are long ago exhaufted... | |
 | Great Britain - 1804 - Počet stránok 716
...from the myrtle and ivy, nor calls upon Arethuse and Minucius, nor tells of rough satyrs and_/azflw with cloven heel. Where there is leisure for fiction...there is no art, for there is nothing new. Its form is of that a of pastoral, easy, vulgar, and therefore disgusting ; whatever images it can supply, are... | |
 | Samuel Johnson - 1806 - Počet stránok 482
...Arethufe and Mincius, nor tells of rough fatyrs and fauns with cloven heel. Where there is leifure for fiction, there is little grief. In this poem there...art, for there is nothing new. Its form is that of a paftoral ; eafy, vulgar, and therefore di%ufting ; whatever images it can fuppty are are long ago cxhaufted... | |
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