Shakspeare's Dramatic Art: And His Relation to Calderon and GoetheChapman, 1846 - 554 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 100.
Strana x
... humanity . It is no longer regarded as a paradox , to maintain , that in art , the noblest , chiefest , and fairest flowers of the human mind expand themselves , —that it is a channel of divine revelation -a lever for the advancement of ...
... humanity . It is no longer regarded as a paradox , to maintain , that in art , the noblest , chiefest , and fairest flowers of the human mind expand themselves , —that it is a channel of divine revelation -a lever for the advancement of ...
Strana 8
... human subjectivity which is the root of all lyrical poesy . It was requisite , therefore , that the drama should descend from the supernatural and semi - celestial sphere of the sacred past into the domain of a more earthly humanity ...
... human subjectivity which is the root of all lyrical poesy . It was requisite , therefore , that the drama should descend from the supernatural and semi - celestial sphere of the sacred past into the domain of a more earthly humanity ...
Strana 23
... human nature , are wanting entirely in the modern dramatists . Conse- quently , if their poetry is to have universal import , if the general principles of humanity are to be exhibited objectively , not merely in the character of the ...
... human nature , are wanting entirely in the modern dramatists . Conse- quently , if their poetry is to have universal import , if the general principles of humanity are to be exhibited objectively , not merely in the character of the ...
Strana 25
... human mind from the chains of the finite and the temporal , so christian art set itself loose from the fetters which were nothing else than the con- sequence and the continuation of the former . Ancient poesy , in its sensuousness , its ...
... human mind from the chains of the finite and the temporal , so christian art set itself loose from the fetters which were nothing else than the con- sequence and the continuation of the former . Ancient poesy , in its sensuousness , its ...
Strana 26
... human mind , according to which liberty invariably expresses itself negatively at first , i . e . assumes the appearance of caprice and extravagance . From the same cause did that mixture of Tragedy and Comedy which has , from the ...
... human mind , according to which liberty invariably expresses itself negatively at first , i . e . assumes the appearance of caprice and extravagance . From the same cause did that mixture of Tragedy and Comedy which has , from the ...
Iné vydania - Zobraziť všetky
Shakspeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Úplné zobrazenie - 1846 |
Shakspeare's dramatic art: and his relation to Calderon and Goethe ... Hermann ULRICI Úplné zobrazenie - 1846 |
Časté výrazy a frázy
Accordingly action allusions already appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently criticism Cymbeline death deed divine doubt Drake earthly English evil exhibited existence external fact Falstaff fancy favour feeling fundamental idea Gentlemen of Verona genuine Goethe Goethe's ground-idea Hamlet hand Henry the Sixth honour human humour influence inmost intrigue intrinsic Jonson Julius Cæsar justice King language Lastly latter Lear less Locrine lyrical Macbeth Malone Measure for Measure Merchant of Venice merely merry mind moral nature necessity ness nevertheless noble objective organic Othello outward passion personages piece play poem poet poetical poetry possess present Prince principle profound racter reflection Richard Romeo and Juliet scene Shak Shakspeare Shakspeare's shew sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic true truth unity view of things virtue weakness whole Winter's Tale youthful