Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 strán (strany) "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 20.
Strana
... Julius Caesar , while sexual imagery is decisive in Macbeth . In Hamlet , the ge- ography of Europe becomes countries of the mind , the identity of the protagonist . All is reduced to " One , " the algebraic symbol of Hamlet's identity ...
... Julius Caesar , while sexual imagery is decisive in Macbeth . In Hamlet , the ge- ography of Europe becomes countries of the mind , the identity of the protagonist . All is reduced to " One , " the algebraic symbol of Hamlet's identity ...
Strana 7
... Julius Caesar 80 6. " To say ' one ' " : An Essay on Hamlet 92 7. Hamlet : Nationhood and Identity 106 8. Class as Motivation in Othello 129 9. Lear's System 137 10. Macbeth : The Sexual Underplot 150 11. Timon of Athens 164 12. Antony ...
... Julius Caesar 80 6. " To say ' one ' " : An Essay on Hamlet 92 7. Hamlet : Nationhood and Identity 106 8. Class as Motivation in Othello 129 9. Lear's System 137 10. Macbeth : The Sexual Underplot 150 11. Timon of Athens 164 12. Antony ...
Strana 9
... Julius Caesar " first appeared in Dalhousie Review ; " To say ' One ' : An Essay on Hamlet " in Shakespeare Survey 28 , and " Hamlet : Nationhood and Identity " in The University of Toronto Quarterly . " Macbeth : The Sexual Underplot ...
... Julius Caesar " first appeared in Dalhousie Review ; " To say ' One ' : An Essay on Hamlet " in Shakespeare Survey 28 , and " Hamlet : Nationhood and Identity " in The University of Toronto Quarterly . " Macbeth : The Sexual Underplot ...
Strana 11
... Julius Caesar seem to me tragedies of social deter- minism . Society is far stronger than the individuals to whom it dic- tates . Titus is the instrument of Rome , spokesman for patriarchal values that he can scarcely question till the ...
... Julius Caesar seem to me tragedies of social deter- minism . Society is far stronger than the individuals to whom it dic- tates . Titus is the instrument of Rome , spokesman for patriarchal values that he can scarcely question till the ...
Strana 12
... Julius Caesar , the cosmology has contracted from the gods to Roman civic values . The four major tragedies are Sophoclean in their grandeur and balance and in their intimate studies of the relations between the individual and his fate ...
... Julius Caesar , the cosmology has contracted from the gods to Roman civic values . The four major tragedies are Sophoclean in their grandeur and balance and in their intimate studies of the relations between the individual and his fate ...
Obsah
29 | |
42 | |
Romeo and Juliet The Sonnet World of Verona | 61 |
The Tragedy of Richard II | 73 |
Communal Identity and the Rituals of Julius Caesar | 80 |
To say one An Essay on Hamlet | 92 |
Hamlet Nationhood and Identity | 106 |
Class as Motivation in Othello | 129 |
Macbeth The Sexual Underplot | 150 |
Timon of Athens | 164 |
Antony and Cleopatra RolePlayer Actress ActorManager | 172 |
Sexual Imagery in Coriolanus | 186 |
Class Politics in Coriolanus | 200 |
Notes | 212 |
Index | 226 |
Lears System | 137 |
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
action actor Albany Antony and Cleopatra Antony's appears audience Aufidius Bolingbroke Bradley Brutus Buckingham Cambridge Cassio Chiron Claudius comedy comes Cominius Cordelia Coriolanus Coriolanus's Dane Danish death Denmark dialogue drama Elizabethan England father final Fortinbras France gentleman Hamlet hath Henry hint Horatio Iago identity Julius Caesar killing King Lear Lady Macbeth Laertes later Lavinia Lear's London lord meaning Menenius ment Mercutio metaphor Methuen mind mode mother needs Octavius opening Othello passage patriarchy patricians Peter Brook play's plebeians Poland political Polonius Prince Queen quell question rhyme Richard Richard III ritual role Rome Romeo and Juliet Rosencrantz and Guildenstern Saturninus says scene sense sexual Shake Shakespeare Shakespearean Tragedy social society soliloquy sonnet speak speech stage direction suggest symbolic thee thou thought Timon of Athens tion Titus Andronicus tragic triumph University Press Volumnia Wittenberg word
Populárne pasáže
Strana 152 - Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour 40 As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting ' I dare not ' wait upon ' I would,' Like the poor cat i
Strana 150 - For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
Strana 95 - That for some vicious mole of nature in them, As, in their birth,— wherein they are not guilty, Since nature cannot choose his origin,— By the o'ergrowth of some complexion, Oft breaking down the pales and forts of reason...
Strana 84 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name ; Sound them, it doth become the mouth as well ; Weigh them, it is as heavy ; conjure with them, Brutus will start a spirit as soon as Caesar.
Strana 54 - The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? myself? There's none else by, Richard loves Richard; that is, I am I.
Strana 195 - O mother, mother! What have you done? Behold, the heavens do ope, The gods look down, and this unnatural scene They laugh at. O my mother, mother! O! You have won a happy victory to Rome; But, for your son — believe it, O, believe it — Most dangerously you have with him prevailed, If not most mortal to him.
Strana 48 - Slave, I have set my life upon a cast, And I will stand the hazard of the die : I think, there be six Richmonds in the field; Five have I slain to-day, instead of him : — A horse!
Strana 133 - He takes her by the palm; ay, well said, whisper; with as little a web as this will I ensnare as great a fly as Cassio. Ay, smile upon her, do; I will gyve thee in thine own courtship.
Strana 102 - Why, man, they did make love to this employment; They are not near my conscience ; their defeat Does by their own insinuation grow : Tis dangerous, when the baser nature comes Between the pass and fell incensed points Of mighty opposites.