I-46
His work and fame, 1: the Figure itself, 3: Mr.
Dobson's monograph, 5: Fielding's descent, 5: his
father, 6 his first tutor, 7: at Eton, 8: a boyish
romance, 10: its consequences, II: student at Leyden,
13 his return to London, 13: hackney-writer or
hackney-coachman? 15: the Stage, 17: the Taste
of the Town, 18: Vanbrugh and Fielding, 20 Novel
and Play, 22: Comedy, Farce, and Translation, 25:
the Burlesques, 25: the Satires, 26: his failure on
the Stage, 26: how he lived, 28: his quarrel with
Cibber, 29: his marriage, 31: Murphy's story, 32:
admitted of the Middle Temple, 35: Journalism, 37:
Joseph Andrews, 37: The Miscellanies, 40: the story
of Fielding's life, 41: the Voyage to Lisbon, 42: Taine's
definition, 43: the Four Great Books, 45.
His biographers, 47: his boyhood, 48: his house, 48:
apprenticed to a surgeon, 49: his resemblance to
Roderick Random, 50: the road to London, 52: The
Regicide, 53: Garrick and Lyttelton, 55: Smollett,
a surgeon's mate, 56: the Navy as he knew_it, 57:
his marriage, 58: a quarrel with Rich, 59: Roderick
Random, 60: Smollett and Le Sage, 60: The Regicide
published, 61: Smollett's vanity, 63: his attack upon
Fielding, 65: Peregrine Pickle, 66: hard and cruel
and cold, 68: the excellence of Trunnion, 69: Count
Fathom, 70: Sir Lancelot Greaves, 72: Smollett a
practising physician, 72: a bookseller's hack, 73: The
Critical Review, 74: its treatment of Admiral Knowles,
75: The argumentum baculinum, 77: Grainger, 77:
Hall-Stevenson, 79: Charles Churchill, 79: a monarch
in Grub Street, 83: his meeting with Robertson, 83:
Scotland revisited, 85: hackwork, 86: a journey
abroad, 87: his masterpiece, 89: his death, 89:
Humphry Clinker, 90: Smollett's chief fault, 91: his
master-quality, 93: an ancestor of Pickwick, 95.
His descent, 96: his fighting talent, 96 the Public
of those days, 98: his birth and childhood, 99: his
meeting with Coleridge, 100: a golden year, 101:
disillusion, 102: a man of few books, 103: a painter,
103: art criticism, 104: a lover of the past, 106 :
Winterslow, 107: The Morning Chronicle, 108: Jour-
nalism and Literature, 108: The Life of Napoleon,
109: his death, 110: his candour, 110: Sarah Walker,
I12: Liber Amoris, 113: his second marriage, 114:
his aspect and character, 115: Lamb and Hazlitt,
116: two friends, 117: Hazlitt a talker, 118: his
style and vocabulary, 119: his criticism, 120: Politics
and Art, 120: Par nobile fratrum, 121.
The Kirk of Scotland, 123: the Poet's birth, 124:
his gift to the people, 124: his parents, 125: the
Scots peasant, 126: Burns's education, 127: Murdoch
the Pedagogue, 128: Burns's books, 130: at Dal-
rymple school, 131: poverty and work, 133: a harsh
and bitter life, 133 inevitable reaction, 134: easier
times, 136 at Lochlie, 136: love and rhyme, 138:
flax-dressing, 140: his friendship with Richard Brown,
140 a peasant in revolt, 142: the death of William
Burness, 143: the farm at Mossgiel, 145: failure and
ill-luck, 145: an unsuccessful farmer, 146: narrative,
149 the Poet's Muse, 150: the influence of Fer-
gusson, 152: English and the Vernacular, 152:
foreign tongue, 154: his fustian, 155: the individual
Burns, 155 the Elegy, 156: Scots and English, 157:
a natural development, 158: the last of a school, 159:
his debt to others, 160: his need of rivalry, 160:
master of the Vernacular, 161: his titles, 162: the
level of excellence, 163: humour his master-quality,
164: The Cotter's Saturday Night, 166: Tam o'
Shanter, 166: his loves, 168: Jean Armour, 169: a
burst of Don-Juanism, 170: the deserter deserted,
171: the Lament, 172: and Despondency, 172: 'un-
grateful Armour,' 173: Mary Campbell, 174: con-
flicting theories, 174: a white rose among passion-
flowers, 175: a creature of the brain, 176: the
heroine-in-chief, 177: The Court of Equity, 179: a
panorama of tumult, 180: the Kilmarnock Volume,
181 its triumph, 182: an Edinburgh expedition,'
183 his reception, 184: his dignified simplicity, 185:
the reaction, 186: Edinburgh a misfortune, 187: the
bucks of the capital, 188: the cock of the company,'
189: the first Edinburgh Edition, 190: the return
to Mauchline, 191: Clarinda and Sylvander, 193:
their letters, 195: Jean and Clarinda, 196: a letter to
Ainslie, 197 reconciliation with Jean, 198: Adieu,
Clarinda!' 199: his marriage, 199: at Ellisland,
200 appointed exciseman, 202: 'humane and vigi-
lant,' 202: in Dumfries town, 203: the recipe for song-
making, 205: a book of beauties, 205: Idler and
Bard, 207: the misplaced Titan, 208: Johnson's
Museum, 209: the folk-song, 210: nameless singers,
an inherited style, 211: fact and legend, 212:
his appropriation, 213: master and journeyman, 214:
Auld Lang Syne, 216: two lyric styles, 217: the
Eighteenth Century Song-Book, 218: Burns the lyrist,
219 reality not romance, 220: old-world Scotland,
221 a story of decadence, 222: the French Revolu-
tion, 223: the poet's apologists, 225: the pathos of
the end, 226: his magnificent endowment, 227: a
Son of Sedition,' 228: the good and the bad, 229.
Henry Angelo, 230: Byron's Mother, 232: Robert
Charles Dallas, 236: William Harness, 238: Lord
Holland, 242: Pratt, the Gleaner, 243: Gentleman
Jackson, 245: Francis Hodgson, 248: John Cam
Hobhouse, 251: William Gifford, 257: Bob Gregson,
P. P., 259: Lord Carlisle, 264: Lord Falkland, 266:
William Beckford, 267: Ali Pasha, 268: Robert
Adair, 270 Scrope Davies, 274: Marquess of Sligo,
277: Joseph Blackett, 280: Augusta Leigh, 281:
John Murray, 285: Thomas Moore, 289: Samuel
Rogers, 298: Robert Southey, 300: William Pole
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