The Power of Laughter: Comedy and Contemporary Irish TheatreEric Weitz Carysfort Press, 2004 - 192 strán (strany) Essays on comedy in contemporary Irish theatre |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 10.
Strana 162
... Bone : Yes . Baxter : I want a baby . Bone : So do I. Baxter : Will you buy me a present ? Bone : You want to trap me . Baxter : I need you Bone . Bone : You don't . Baxter : Alright , I don't . Bone : No ! You do . Baxter : I do . Bone ...
... Bone : Yes . Baxter : I want a baby . Bone : So do I. Baxter : Will you buy me a present ? Bone : You want to trap me . Baxter : I need you Bone . Bone : You don't . Baxter : Alright , I don't . Bone : No ! You do . Baxter : I do . Bone ...
Strana 163
... Bone and Baxter engage in more role - play , displaying through defamiliarization the artificiality of prescribed gender roles and objects : ' Bone has his arm around Baxter as if they are a married couple . Baxter wears high heels , a ...
... Bone and Baxter engage in more role - play , displaying through defamiliarization the artificiality of prescribed gender roles and objects : ' Bone has his arm around Baxter as if they are a married couple . Baxter wears high heels , a ...
Strana 170
... Bone , have nothing left to negotiate except one ' bun in the oven ' after another . In Scene Four of Act One , Carr playfully incorporates the image of the bun as a metaphor for reproduction : Bone : Darling , you know when you make ...
... Bone , have nothing left to negotiate except one ' bun in the oven ' after another . In Scene Four of Act One , Carr playfully incorporates the image of the bun as a metaphor for reproduction : Bone : Darling , you know when you make ...
Obsah
Form and Comedy in Contemporary Irish Theatre | 8 |
Deborah Warners Medea | 19 |
How I learned to crave laughter | 32 |
Autorské práva | |
9 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
actors artistic audience members babies Barabbas Baxter Beauty Queen Belfast Binder body Bone Caravaggio carnival Carr's Carysfort Press Caught Red Handed characters chorus comedian comedy Conor Contemporary Irish Theatre created creative D'Unbelievables Dark Dean director Doris drama Dublin essay experience explore Fintan O'Toole Fiona Fiona Shaw fool Frank McGuinness funny gender Gerard Stembridge Hackett humour identity Ireland Irish Theatre ISBN John joke Jon Kenny Keane Keane's Kevin's Bed laugh laughter Leenane Lieutenant of Inishmore lives London look Lucio Mag's Mairtin Marina Carr Martin McDonagh Maureen McDonagh McGuinness Medea melodrama Mikel moments murder night onstage parody Pat Shortt Pato Pato's Photo play playwright political practitioners production Raymond Clown rehearsal relationship response Ringsend ritual role Scaife scene Sean sense sexual Shaw Smashing social spectator stage story Tartuffe Theatre Company theatrical things tragedy Twenty Grand Veronica violence workshop Wringer's