The Power of Laughter: Comedy and Contemporary Irish TheatreEric Weitz Carysfort Press, 2004 - 192 strán (strany) Essays on comedy in contemporary Irish theatre |
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Strana 21
... Medea , and was central to how gender , nationality , and race were imagined on the stage . Medea at the Abbey The contrast between the ' private ' and ' public ' faces of Medea was central to the comedy of Shaw's performance . Below ...
... Medea , and was central to how gender , nationality , and race were imagined on the stage . Medea at the Abbey The contrast between the ' private ' and ' public ' faces of Medea was central to the comedy of Shaw's performance . Below ...
Strana 26
... Medea . The use of comedy main- tained this dynamic , indeed was central to it , ensuring that the humour of Medea was produced and controlled by Shaw , whereas the comedy of the other characters came from their contrast to the complex ...
... Medea . The use of comedy main- tained this dynamic , indeed was central to it , ensuring that the humour of Medea was produced and controlled by Shaw , whereas the comedy of the other characters came from their contrast to the complex ...
Strana 27
... Medea , ' foreign ' to the figure with whom the audience had identified , and so the production distanced the audience from Medea's subsequent actions . This was an unfamiliar Medea whose comic presence had disappeared . The production ...
... Medea , ' foreign ' to the figure with whom the audience had identified , and so the production distanced the audience from Medea's subsequent actions . This was an unfamiliar Medea whose comic presence had disappeared . The production ...
Obsah
Form and Comedy in Contemporary Irish Theatre | 8 |
Deborah Warners Medea | 19 |
How I learned to crave laughter | 32 |
Autorské práva | |
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