The Power of Laughter: Comedy and Contemporary Irish TheatreEric Weitz Carysfort Press, 2004 - 192 strán (strany) Essays on comedy in contemporary Irish theatre |
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Strana 24
... identity and a modern complex identity , the difference between unfunny and funny , was extended by the male characters in the play . The pro- duction maintained many of the popular stereotypes of mas- culinity , positioning the men as ...
... identity and a modern complex identity , the difference between unfunny and funny , was extended by the male characters in the play . The pro- duction maintained many of the popular stereotypes of mas- culinity , positioning the men as ...
Strana 162
... identity due to its performative nature . In Low In the Dark gendered identity is continually parodied , as cross - dressed characters inhabit , perform and crucially , play with the cultural signifiers of con- ventional gendered identity ...
... identity due to its performative nature . In Low In the Dark gendered identity is continually parodied , as cross - dressed characters inhabit , perform and crucially , play with the cultural signifiers of con- ventional gendered identity ...
Strana 165
... identity based upon the material evidence ( or signification ) of the costume . 13 Judith Butler , Gender Trouble ; Feminism and the Subversion of Identity ( New York : Routledge , 1990 ) , pp.132-4 . 14 Roland Barthes , The Fashion ...
... identity based upon the material evidence ( or signification ) of the costume . 13 Judith Butler , Gender Trouble ; Feminism and the Subversion of Identity ( New York : Routledge , 1990 ) , pp.132-4 . 14 Roland Barthes , The Fashion ...
Obsah
Form and Comedy in Contemporary Irish Theatre | 8 |
Deborah Warners Medea | 19 |
How I learned to crave laughter | 32 |
Autorské práva | |
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