The Power of Laughter: Comedy and Contemporary Irish TheatreEric Weitz Carysfort Press, 2004 - 192 strán (strany) Essays on comedy in contemporary Irish theatre |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 86.
Strana 52
... play shocks festival ' , and suggests that it is the content of the play that inhibits theatre companies from producing it . Whether that resistance is located in relation to the crude and overt references to homosexuality and the ...
... play shocks festival ' , and suggests that it is the content of the play that inhibits theatre companies from producing it . Whether that resistance is located in relation to the crude and overt references to homosexuality and the ...
Strana 85
... play was because I understood the references on which the play is based . There are many aspects of the play that I found really funny , but because of the scope of this essay I will limit myself to a few that still remain fresh in my ...
... play was because I understood the references on which the play is based . There are many aspects of the play that I found really funny , but because of the scope of this essay I will limit myself to a few that still remain fresh in my ...
Strana 157
... play and cross- dressing comically subverts conventional representations of gender and the body , emphasizing through play the performativity of everyday social codes and practices . Each one of Carr's early ( unpublished ) plays The ...
... play and cross- dressing comically subverts conventional representations of gender and the body , emphasizing through play the performativity of everyday social codes and practices . Each one of Carr's early ( unpublished ) plays The ...
Obsah
Form and Comedy in Contemporary Irish Theatre | 8 |
Deborah Warners Medea | 19 |
How I learned to crave laughter | 32 |
Autorské práva | |
9 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
actors artistic audience members babies Barabbas Baxter Beauty Queen Belfast Binder body Bone Caravaggio carnival Carr's Carysfort Press Caught Red Handed characters chorus comedian comedy Conor Contemporary Irish Theatre created creative D'Unbelievables Dark Dean director Doris drama Dublin essay experience explore Fintan O'Toole Fiona Fiona Shaw fool Frank McGuinness funny gender Gerard Stembridge Hackett humour identity Ireland Irish Theatre ISBN John joke Jon Kenny Keane Keane's Kevin's Bed laugh laughter Leenane Lieutenant of Inishmore lives London look Lucio Mag's Mairtin Marina Carr Martin McDonagh Maureen McDonagh McGuinness Medea melodrama Mikel moments murder night onstage parody Pat Shortt Pato Pato's Photo play playwright political practitioners production Raymond Clown rehearsal relationship response Ringsend ritual role Scaife scene Sean sense sexual Shaw Smashing social spectator stage story Tartuffe Theatre Company theatrical things tragedy Twenty Grand Veronica violence workshop Wringer's