The Power of Laughter: Comedy and Contemporary Irish TheatreEric Weitz Carysfort Press, 2004 - 192 strán (strany) Essays on comedy in contemporary Irish theatre |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 27.
Strana 62
... writing itself , obviously , but also on the rapport created between the actors and audience . In fact , it seems to me that it should be difficult - if comedy really works in performance - to differentiate between the comic writing ...
... writing itself , obviously , but also on the rapport created between the actors and audience . In fact , it seems to me that it should be difficult - if comedy really works in performance - to differentiate between the comic writing ...
Strana 74
... writing which destabilises the status quo and shows the way things are to be ridiculous . Or The Marriage of Figaro , for instance , in which all the funny lines are given to the servants , in order to laugh at the higher orders . Or in ...
... writing which destabilises the status quo and shows the way things are to be ridiculous . Or The Marriage of Figaro , for instance , in which all the funny lines are given to the servants , in order to laugh at the higher orders . Or in ...
Strana 188
... writing for theatre includes Universal Export – Dayshift , Entertain- ment , which was nominated for Best New Play at the 2004 Irish Times / ESB Theatre Awards ; To Be Confirmed , What the Dead Want , Royal Supreme , Deep Space ; and ...
... writing for theatre includes Universal Export – Dayshift , Entertain- ment , which was nominated for Best New Play at the 2004 Irish Times / ESB Theatre Awards ; To Be Confirmed , What the Dead Want , Royal Supreme , Deep Space ; and ...
Obsah
Form and Comedy in Contemporary Irish Theatre | 8 |
Deborah Warners Medea | 19 |
How I learned to crave laughter | 32 |
Autorské práva | |
9 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
actors artistic audience members babies Barabbas Baxter Beauty Queen Belfast Binder body Bone Caravaggio carnival Carr's Carysfort Press Caught Red Handed characters chorus comedian comedy Conor Contemporary Irish Theatre created creative D'Unbelievables Dark Dean director Doris drama Dublin essay experience explore Fintan O'Toole Fiona Fiona Shaw fool Frank McGuinness funny gender Gerard Stembridge Hackett humour identity Ireland Irish Theatre ISBN John joke Jon Kenny Keane Keane's Kevin's Bed laugh laughter Leenane Lieutenant of Inishmore lives London look Lucio Mag's Mairtin Marina Carr Martin McDonagh Maureen McDonagh McGuinness Medea melodrama Mikel moments murder night onstage parody Pat Shortt Pato Pato's Photo play playwright political practitioners production Raymond Clown rehearsal relationship response Ringsend ritual role Scaife scene Sean sense sexual Shaw Smashing social spectator stage story Tartuffe Theatre Company theatrical things tragedy Twenty Grand Veronica violence workshop Wringer's