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And if thou, like a child, didst feare before,

Being in the darke, where thou didst nothing see;
Now I haue broght thee torch-light, feare no more ;
Now when thou diest, thou canst not hud-winkt be.

And thou my Soule, which turn'st thy curious eye,
To view the beames of thine owne forme diuine
Know, that thou canst know nothing perfectly,
While thou art clouded with this flesh of mine.

Take heed of ouer-weening, and compare

;

Thy peacock's feet with thy gay peacock's traine; 7
Study the best, and highest things that are,
But of thy selfe an humble thought retaine.

Cast downe thy selfe, and onely striue to raise
The glory of thy Maker's sacred Name;
Vse all thy powers, that Blessed Power to praise,
Which giues thee power to bee, and use the same.

7 More usually applied to the swan: as ancient WORSHIP puts it 'The whitest swanne hath a blacke foot:''Christian's Mourning Garment.'

G.

Finis.

Appendix.

REMARKS PREFIXED TO NAHUM TATE'S EDITION (1697) OF 'NOSCE TEIPSUM.'*

HERE is a natural love and fondness in English

THERE

men for whatever was done in the reign of Queen Elizabeth. We look upon her time as our golden age; and the great men who lived in it, as our chiefest heroes of virtue, and greatest examples of wisdom, courage, integrity and learning.

A Poem.

Written With a London,

* The Original, Nature, and Immortality of the Soul. With an Introduction concerning Humane Knowledge. by Sir John Davies, Attorney-General to Q. Elizabeth. Prefatory Account concerning the Author and Poem. Printed by W. Rogers at the Sun against St. Dunstan's Church in Fleet street. 1697'-TATE informs us that the 'Remarks' were 'written by an ingenious and learned Divine '-It will be noticed that they finish somewhat abruptly and while there is account' of the Poem, none of the Author.'-Dr. BLISS, in his edition of Anthony-a-Wood's ATHENE, describes above as containing only the second portion: but he is mistaken: the Poem is given completely.

Among many others, the author of this poem merits a lasting honour; for, as he was a most eloquent lawyer, so, in the composition of this piece, we admire him for a good poet and exact philosopher. 'Tis not rhyming that makes a poet, but the true and impartial representing of virtue and vice, so as to instruct mankind in matters of greatest importance. And this observation has been made of our countrymen, That Sir John Suckling wrote in the most courtly and gentleman-like style; Waller in the most sweet and flowing numbers; Denham with the most accurate judgment and correctness; Cowley with pleasing softness and plenty of imagination: none ever uttered more divine thought than Mr. Herbert; none more philosophical than Sir John Davies. His thoughts are moulded into easy and significant words; his rhymes never mislead the sense, but are led and governed by it: so that in reading such useful performances, the wit of mankind may be refined from its dross, their memories furnished with the best notions, their judgments strengthened, and their conceptions enlarged: by which means the mind will be raised to the most perfect ideas it is capable of in this degenerate state.

But as others have laboured to carry out our thoughts, and to entertain them with all manner of delights

abroad; 'tis the peculiar character of this author, that he has taught us (with Antoninus) to meditate upon ourselves; that he has disclosed to us greater secrets at home; self-reflection being the only way to valuable and true knowledge, which consists in that rare science of a man's self, which the moral philosopher loses in a crowd of definitions, divisions and distinctions: the historian cannot find it among all his musty records, \ being far better acquainted with the transactions of a thousand years past, than with the present age, or with himself the writer of fables and romances wanders from it, in following the delusions of a wild fancy, chimeras and fictions that do not only exceed the works, but also the possibility of Nature. Whereas the resemblance of truth is the utmost limits of poetical liberty, which our author has very religiously observed; for he has not only placed and connected together the most amiable images of all those powers that are in our souls, but he has furnished and squared his matter like a true philosopher; that is, he has made both body and soul, colour and shadow of his poem, out of the storehouse of his own mind, which gives the whole work a real and natural beauty; when that which is borrowed out of books, (the boxes of counterfeit complexion) shews well or ill, as it has more or less likeness to the

natural. But our author is beholding to none but himself; and by knowing himself thoroughly, he has arrived to know much; which appears in his admirable variety of well-chosen metaphors and similitudes that cannot be found within the compass of a narrow knowledge. For this reason the poem, on account of its intrinsic worth, would be as lasting as the Iliad or the Æneid, if the language 'tis wrote in were as immutable as that of the Greeks and Romans.

Now it would be of great benefit to the beaus of our age to carry this glass in their pocket, whereby they might learn to think rather than dress well. It would be of use also to the wits and virtuosoes to carry this antidote against the poison they have sucked in from Lucretius or Hobbes. This would acquaint them with some principles of religion; for in old times the poets were the divines, and exercised a kind of spiritual authority amongst the people. Verse in those days was the sacred style, the style of Oracles and Lawes. The vows and thanks of the people were recommended to their gods in songs and hymns. Why may they not retain this priviledge? for if prose should contend with verse, it would be upon unequal terms, and (as it were) on foot against the wings of Pegasus. With what delight are we touched in hearing the stories of Hercules,

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