Social and Cultural Dynamics, Zväzok 1Bedminster Press, 1962 - 2912 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 18.
Strana 244
... illusionistic , showy , presenting material objects in as illusionistic a form as they offer to our sense perceptions . The pictures of the leading French impressionists of the end of the nineteenth century are conspicuous samples of ...
... illusionistic , showy , presenting material objects in as illusionistic a form as they offer to our sense perceptions . The pictures of the leading French impressionists of the end of the nineteenth century are conspicuous samples of ...
Strana 244
... illusionistic impression of the subject . Nothing tactile or sculptural is in the picture . It is an illusionistic representation of a fugitive appearance . The same difference is clear in the second pair of pictures , No. 3 by Dürer ...
... illusionistic impression of the subject . Nothing tactile or sculptural is in the picture . It is an illusionistic representation of a fugitive appearance . The same difference is clear in the second pair of pictures , No. 3 by Dürer ...
Strana 347
... illusionistic world created only for the eyes , as a mere show but with the intention to pass this show for a genuine world . - When this ostentatious and sumptuous display became tiresome after some fifty or sixty years , the same ...
... illusionistic world created only for the eyes , as a mere show but with the intention to pass this show for a genuine world . - When this ostentatious and sumptuous display became tiresome after some fifty or sixty years , the same ...
Obsah
Chapter One FORMS AND PROBLEMS of CULTURE INTEGRATION AND METHODS | 3 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Proportion of Religious and Secular Compositions by Centuries | 33 |
Autorské práva | |
36 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
appear architecture artists Ascetic Ideational baroque becomes beginning Brahmanic Buddhism Byzantine art causal century B.C. chap Christian art classes classical Confucianism countries cubistic culture mentality Deonna depicted dominant eighteenth elements empirical Epicureanism European existence external fifteenth fifth century fluctuations fourth century given Graeco-Roman Greece Greek Hellenistic Hinduism Ibid ideal Idealistic art Ideational art Ideational mentality Ideational style Ideationalism ideoplastic illusionistic impressionism impressionistic integrated Jainism linear literature logical logico-meaningful Lysippus malerisch means medieval Middle Ages Mixed nature Nirvana objects organs painting and sculpture paleolithic passim paysage Percentages period phenomena Phidias portraits portraiture purely qualitative quantitative reality recurrence religion religious rococo Roman sculpture Sensate mentality Sensate music sense sensual similar social sociocultural spatial spiritual stage standpoint subjects symbolic Taoism theories thirteenth century tion Total Numbers traits unity values various Visual art Visual style waves