= Carm. iv. 5, 1, and Gram. § 208, 2, note. The poet, in the two preceding lines, has been praying for the classes of young and old, and for the blessings most required by each; here he prays for the Roman people collectively, the whole body. Rem is 'property' rem familiarem. 49. Bobus albis. These were the sacrifices to Apollo and Diana; they had been directed by the Sibylline books. -51. Bellante prior; that is, superior iis qui bellum gerunt. The sense of the passage is the same which Virgil (Aen. vi. 854) expresses as the guiding principle or motto of the Romans, parcere subjectis, et debellare superbos.—53. Manus potentes Albanasque secures; that is, manus potentes et secures Albanorum. Secures means the power of the magistrates, as symbolised by the axes in the fasces. The Romans are called Albans, as being descended from the inhabitants of Alba Longa; in the same way the Parthians are called Medes. See Carm. iii. 8, 19. — 55. As to the Scythians and Indians, compare Carm. iv. 14, 42. -- 60. Copia, the goddess of plenty, used to be represented with a horn, and her figure occurs particularly often on the coins which were struck in the reign of Augustus. She is called beata, because she confers happiness, and consequently must be herself happy.--63. Apollo was god of the healing art.--65. Si is to be understood as in line 37. Horace mentions the Palatine, because on it Augustus had built a magnificent temple to Apollo, and the god would, from gratitude, protect Rome. Aequus, gracious, graciously.'—66. Here the apodosis begins. Rem Romanam Romanos, imperium Romanum.-67. Alterum in lustrum. Lustrum seems to denote here the space of time between each celebration of the secular games and the next. Hence the wish of the poet is, that Apollo will preserve the empire from one century to another, and that each may be better than that which Quaeque Aventinum tenet Algidumque, Applicet aures. Haec Jovem sentire deosque cunctos, Dicere laudes. preceded it (melius in aevum.)—69. As Apollo is appealed to by his temple on the Palatine, so Diana is invoked by her ancient temple on the Aventine, the original seat of the Roman plebs, and by that on Mount Algidus, in the neighbourhood of Rome. See Carm. i. 21, 6.-70. Quindecim virorum. The quindecimviri sacris faciundis were a priestly college of fifteen members, whose chief duty was to preserve, consult, and explain the Sibylline books. Now as the secular games were celebrated by direction of these sacred books, the quindecimviri presided at them. 73. The choir declare their conviction that the gods will graciously hear their prayers. As the accusative with the infinitive, Jovem sentire, supplies the place of a substantive, spem bonam certamque in the next line is in apposition to it.-75. Doctus, in its real verbal sense, taught,' partly by the poet, and partly by those who had instructed the chorus in chanting the hymn. Diana. EPODON LIBER. CARMEN I. AD MAECENATEM. THE poet expresses his determination to accompany Maecenas to the Actian war (31 B. C.) We know from history that Maecenas had no personal share in this war, but, by the special desire of Augustus, remained at Rome in charge of Italy. At the time, however, when Horace wrote the epode, this arrangement could not have been made. IBIS Liburnis inter alta navium, Paratus omne Caesaris periculum Quid nos? Quibus te vita si superstite Jucunda, si contra, gravis. Utrumni jussi persequemur otium, Non dulce, ni tecum simul, An hunc laborem mente laturi, decet Feremus, et te vel per Alpium juga Vel occidentis usque ad ultimum sinum 10 1. Ibis Liburnis inter alta propugnacula navium, thou wilt go in Liburnian barks among the lofty bulwarks of the (hostile) ships of war.' The fleet of Octavianus consisted chiefly of Liburnae or Liburnicae, light vessels of war, such as were originally used by the Liburnians, an Illyrian tribe on the east coast of the Adriatic. On the other hand, the ships of Antony had lofty sides, and several decks, and were formidable in appearance, but very unwieldy. -5. Construe thus: quibus vita jucunda, si te superstite, scil. erit.-9. Laturi, scil. sumus.- 11. Feremus, etc. This is the answer to the previous question, and contains the main idea of the poem: 'yes, we will bear the danger Roges tuum labore quid juvem meo, Ut assidens implumibus pullis avis Libenter hoc et omne militabitur Non ut juvencis illigata pluribus Aratra nitantur mea, Pecusve Calabris ante sidus fervidum Neque ut superni villa candens Tusculi Satis superque me benignitas tua Ditavit haud paravero Quod aut avarus ut Chremes terra premam, mutually.-15. Roges, thou mayst perhaps ask.' Si me roges might also have been used.-21. Magis relictis, but (fears) still more, when she has left her young ones alone.'-25. Non-mea, not that my ploughs, harnessed to more bullocks, may labour;' that is, may cut up the heavy soil.-27. Pecusve-pascuis, or that my cattle, before the heat of summer, may change (that is, gain in exchange) Lucanian pastures for those of Calabria.' Lucania is a mountainous district, Calabria and the neighbouring region of Apulia, a dry plain. Mutare aliquid means often to obtain a thing, by giving something in exchange for it.' Consequently the force of the clause is this, or that I may obtain from thee pasturegrounds in Lucania, to which my flocks may resort in the summer.' The sense of the whole passage is this: I do not wish by your friendship to acquire extensive lands, or to become rich in cattle, or to obtain a magnificent villa. He mentions as such a villa one extending up the hill of Tusculum, even to the walls of the city. Tusculum was situated on the top of the hill at whose foot now lies the town of Frascati. Its walls are called Circaea (line 30), because, according to tradition, Telegonus, son of Ulysses and Circe, founded the city. Compare Carm. iii. 29, 8.-33. Chremes, the usual name of an avaricious old man in the Greek comedies. CARMEN II. ALFIUS. THE praises of country life. At the end of the poem, after describing very beautifully the pleasures of a residence away from the busy haunts of men, Horace turns the matter into a joke, and represents the picture which he has drawn as merely an agreeable fancy. We must not suppose, however, that the poet really preferred the town to the country. He did most sincerely love the country, but his connection with Maecenas and other circumstances kept him much at Rome. Such time as he could spare, he spent in the country, and this kind of mixed town and country life seems to have suited him best, for he does not deny that he could not always enjoy the entire seclusion of the country. 9. The practice of training vines up poplars and elms is still preserved in Italy. The figurative expression maritare, used of joining the weak vine to the stronger tree, is very beautiful.-11. Mugientium, scil. boum.-17. The sense of the figurative expression is: when the season of harvest with its fruits comes.-21. Qua munere |