The Seven Basic Plots: Why We Tell StoriesBloomsbury Publishing, 11. 11. 2005 - 736 strán (strany) This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 90.
Strana
... play and listen to me every time I play. I know that when she went to her clubs she'll tell them that her daughter plays the clarinet. She told them one day she'll has her daughter play for them. They made a day and when she told me, I ...
... play and listen to me every time I play. I know that when she went to her clubs she'll tell them that her daughter plays the clarinet. She told them one day she'll has her daughter play for them. They made a day and when she told me, I ...
Strana 930
... play , that renown is summed up in the person of Harry of Monmouth . 66 66 " " We will not theorize as to Shake- speare's design in writing his plays , nor do him wrong , as a German might , by hinting that he dealt with qualities or ...
... play , that renown is summed up in the person of Harry of Monmouth . 66 66 " " We will not theorize as to Shake- speare's design in writing his plays , nor do him wrong , as a German might , by hinting that he dealt with qualities or ...
Strana 5
... play revised . As the Second Part had followed the Play printed in 1594 , -The First Part of the Contention betwixt the two famous Houses of York and Lancaster - so the Third Part followed as closely the play printed in 1595. [ This was ...
... play revised . As the Second Part had followed the Play printed in 1594 , -The First Part of the Contention betwixt the two famous Houses of York and Lancaster - so the Third Part followed as closely the play printed in 1595. [ This was ...
Strana xii
... player , is called upon to give some advice to an importunate young playwright of the next generation : To begin with , your play is not a play at all . It's a meaningless jumble of adolescent , pseudo- intellectual poppycock . It bears ...
... player , is called upon to give some advice to an importunate young playwright of the next generation : To begin with , your play is not a play at all . It's a meaningless jumble of adolescent , pseudo- intellectual poppycock . It bears ...
Strana 13
... Playing Cards fig. The. World. in. Play. Luxury Cards 1430–1540 Playing cards are not an obvious platform for creating works of art—indeed, quite the opposite. Bits of stiffened paper marked with simple symbols, images, and numerals to ...
... Playing Cards fig. The. World. in. Play. Luxury Cards 1430–1540 Playing cards are not an obvious platform for creating works of art—indeed, quite the opposite. Bits of stiffened paper marked with simple symbols, images, and numerals to ...
Obsah
1 | |
15 | |
THE COMPLETE HAPPY ENDING | 237 |
MISSING THE MARK | 345 |
WHY WE TELL STORIES | 541 |
The Light and the Shadows on the Wall | 699 |
Authors Personal Note | 703 |
Glossary of Terms | 707 |
Bibliography | 711 |
Index of Stories Cited | 715 |
General Index | 720 |
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
Aladdin Amleth anima Anna Karenina archetypal arrives beautiful become begins central figure centre century characters Comedy comes complete consciousness Creon Dark Father dark feminine dark figure dark masculine dark power Dark Rival death developed Don Giovanni Dream Stage egocentric egotism emerge eventually everything familiar fantasy film finally girl goal Hamlet happens happy ending heart hero and heroine hero or heroine human imagination inner James Bond Jane Eyre journey killed king kingdom liberated light lives look Macbeth married Moby Dick mother murder mysterious nature Nightmare Stage novel obsession Odysseus Oedipus ordeals Overcoming the Monster pattern play plot Princess Quest Rags to Riches realise recognise represents role seems seen sense shadow storytelling symbolic symbolised Teiresias tells Theseus thing Tragedy transformation true turn type of story ultimately uncon unconscious values Voyage and Return whole wife Wise Old woman young