The Orchestration of the Arts — A Creative Symbiosis of Existential Powers: The Vibrating Interplay of Sound, Color, Image, Gesture, Movement, Rhythm, Fragrance, Word, TouchM. Kronegger Springer Science & Business Media, 9. 3. 2013 - 476 strán (strany) Regardless of the subject matter, our studies are always searching for a sense of the universal in the specific. Drawing, etchings and paintings are a way of communicating ideas and emotions. The key word here is to communicate. Whether the audience sees the work as laborious or poetic depends on the creative genius of the artist. Some painters use the play of light passing through a landscape or washing over a figure to create an evocative moment that will be both timeless and transitory. The essential role of art remains what is has always been, a way of human expression. This is the role that our participants concentrate on as they discuss art as the expression of the spirit, a creative act through which the artist makes manifest what is within him. Spirit suggests the unity of feeling and thought. Avoiding broad generalities, our participants address specific areas in orchestration with music, architecture, literature and phenomenology. Profs. Souiller, Scholz, Etlin, Sweetser, Josephs show us at what point art is an intimate, profound expression and the magic of a civilization as a whole, springing from its evolving thoughts and embodying ideals, such as the Renaissance, the Baroque, Modernism and at what point it reflects the trans formation of a particular society and its mode of life. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 26.
Strana 19
... panel that the historical " Master Mathis " painted ten to twelve years before the battle of Königshofen – i.e. , before the year into which this fictional conversation is placed . In Grünewald's altarpiece , the left half of the ...
... panel that the historical " Master Mathis " painted ten to twelve years before the battle of Königshofen – i.e. , before the year into which this fictional conversation is placed . In Grünewald's altarpiece , the left half of the ...
Strana 20
... panel since , as Reinhold Hammerstein's extensive study on depictions of angelic music in literature and art makes quite clear , Scripture leaves no doubt that the angels surrounding the manger are singers.2 The three chamber - music ...
... panel since , as Reinhold Hammerstein's extensive study on depictions of angelic music in literature and art makes quite clear , Scripture leaves no doubt that the angels surrounding the manger are singers.2 The three chamber - music ...
Strana 23
... panel . Michael and Gabriel were foremost among the angels invoked in case of danger and in the hour of death . As other artists did before him , Grünewald represents them as playing together but contrasted in many other ways . One ...
... panel . Michael and Gabriel were foremost among the angels invoked in case of danger and in the hour of death . As other artists did before him , Grünewald represents them as playing together but contrasted in many other ways . One ...
Strana 25
... panel , and a whole host of bleary- eyed , cat - headed , frog - like creatures threatening the fallen hermit with flickering eyes . In addition to their violence , they also exhibit lust . One humanoid is seen riding through the air ...
... panel , and a whole host of bleary- eyed , cat - headed , frog - like creatures threatening the fallen hermit with flickering eyes . In addition to their violence , they also exhibit lust . One humanoid is seen riding through the air ...
Strana 26
... panel depicts the meeting of Saint Antony and the hermit Paul . The setting is not so much that of an Egyptian desert as North Europeans would imagine it , but rather of an idealized anchorite landscape , with a cave for a natural abode ...
... panel depicts the meeting of Saint Antony and the hermit Paul . The setting is not so much that of an Egyptian desert as North Europeans would imagine it , but rather of an idealized anchorite landscape , with a cave for a natural abode ...
Obsah
2 | |
Prolegomena to | 64 |
The Orchestration | 75 |
Vierzehnheiligen Church | 88 |
Reflections on Tagores | 99 |
GOTTFRIED SCHOLZ The Interdependency of Literature Architecture | 134 |
MARIEODILE SWEETSERLiterature and Architecture as a Metaphor | 149 |
The LifeEnhancing Symbiosis | 165 |
TONY RACZKA The Blending of Natures and the Perception | 275 |
NANCY CAMPI DE CASTRO The Symbiosis and the Interaction | 282 |
KAREN KARBIENER This is Mine and I Can Hold | 293 |
DEBRA SAN The Terpsichorean Poem | 305 |
The Orchestration | 314 |
LYDIA VORONINA Interreflection of Complementary Expressive | 325 |
MARY ELISABETH MCCULLOUGH The Orchestration of | 343 |
DEBORAH TROUSDALE Pierre Puvis de Chavannes | 379 |
SIDNEY FESHBACH An Orchestration of the Arts in Wallace Stevens | 183 |
Music Nature and Mind | 197 |
Matiérismes Critique | 208 |
CYNTHIA RUOFF Images of Water and the Sea in Tristan LHermites | 241 |
Le Vrai Magique | 257 |
ROBERT G SCHAFFER W E B du Bois The Souls of Black Folk | 265 |
KARL F VOLKMAR The Temporal Character of Catherine Schieves | 391 |
WARREN SHIBLES Emotion Metaphor Music and Humor | 417 |
STEPHANIE WEAVER The Cultural Milieu of Francis Poulenc | 437 |
INDEX OF NAMES | 469 |
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Časté výrazy a frázy
2000 Kluwer Academic aesthetic emotion altarpiece Analecta Husserliana LXIII angels architecture artist Baroque beauty body century Cesário Verde character Claude Rostand cognition color composer composition context create creative culture dance depicted drama Dubuffet elements example experience expression eyes Façade Fautrier feeling figures Francis Ponge Francis Poulenc French Grünewald harmony Hindemith human Husserliana Ibid idea ISBN Isenheim Isenheim Altarpiece Jean Dubuffet Jean Fautrier Kluwer Academic Publishers Kronegger language Les Six literary literature Louis Louis Sullivan lyric Mathis meaning metaphor Millay mind movement musicians nature opera orchestration Ornament painter painting panel Paris peinture perception performance Peter Quince Phenomenology philosophy piano Pierre Bernac play poem poet poetic poetry Ponge reference reflection rhythm Saint Antony scene sense Shérazade sonata form song soul sound spirit Stevens structure style suggests Sullivan symbolic theme tonal Tymieniecka University Vincent Millay vision visual voice words Wordsworth writing zarzuela