Social & Cultural Dynamics: A Study of Change in Major Systems of Art, Truth, Ethics, Law and Social RelationshipsP. Sargent, 1957 - 718 strán (strany) This classic work is a revised and abridged version, in a single volume, of the work which more than any other catapulted Pitirim Sorokin into being one of the most famed figures of twentieth-century sociology. Its original publication occurred before World War II. This revised version, written some twenty years later, reflects a postwar environment. Earlier than most, Sorokin took the consequences of the breakdown of colonialism into account in discussing the renaissance of the great cultures of African and Asian civilization. Other than perhaps F.S.C. Northrop, no individual better incorporated the new role of the Indian, Chinese, Japanese, and Arabic peoples in this postwar world. This volume is perhaps most famous for revealing Sorokin's remarkable efforts to understand the relationship of war and peace to the process of social and political change. This long-unavailable volume remains one of the major touchstones by which we can judge efforts to create an international social science. There are few areas of social and cultural life that are not covered--from painting, art, and music, to the ethos of universalism and particularism. These are terms that Sorokin introduced into the literature long before the rise of functional doctrines. |
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Strana 85
... impressionistic , that is , illusionistic , in its visual similarity to a momentary appearance of the empirical and sensory reality depicted . A good camera snapshot and the most completely impression- istic pictures are the best ...
... impressionistic , that is , illusionistic , in its visual similarity to a momentary appearance of the empirical and sensory reality depicted . A good camera snapshot and the most completely impression- istic pictures are the best ...
Strana 137
... impressionistic , and imitative sculptural and expressionistic pic- tures , with the sex motive , of the second part ... impressionistic . Nos . 1 and 2 on Plate XVIII , Boulevard and The Breakfast of the Boaters by Auguste Renoir ( 1841 ...
... impressionistic , and imitative sculptural and expressionistic pic- tures , with the sex motive , of the second part ... impressionistic . Nos . 1 and 2 on Plate XVIII , Boulevard and The Breakfast of the Boaters by Auguste Renoir ( 1841 ...
Strana 138
... impressionistic in painting and sculpture . Plate XIX shows Scene from Tahiti by Paul Gaugin ( 1848-1903 ) with " primiti- vistic " tendency , and Field in Spring by Claude Monet ( 1840-1928 ) impressionistic especially . For an example ...
... impressionistic in painting and sculpture . Plate XIX shows Scene from Tahiti by Paul Gaugin ( 1848-1903 ) with " primiti- vistic " tendency , and Field in Spring by Claude Monet ( 1840-1928 ) impressionistic especially . For an example ...
Obsah
Forms and Problems of Culture Integration and Methods | 2 |
Is There Any Uniform Sequence in the Flourishing of Various | 68 |
Recurrence in Social Space and Fluctuation in Time of | 101 |
Autorské práva | |
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absolute agnosticism architecture Aristotle aspects becomes beginning Brahman causality cent Christian conception contractual cubistic culture mentality currents decline disturbances dominant economic empirical empiricism Epicureans eternalistic eudaemonism existence external familistic fideism field fifth century fluctuations forms given Graeco-Roman Greece Greek Hellenistic human Idealism Idealistic idealistic rationalism Ideational and Sensate Ideational culture Ideationalism immanent indicators individual integrated linear literature logical mainly means Mixed moral mysticism nature Number of representatives organization period phenomena philosophy Plato principle purely quantitative realism reality religion religious representatives Their weight rise Roman scientific secular Sensate culture Sensate mentality Sensate music sensory sensual seventeenth similar singularism singularistic sixteenth century skepticism social relationships society sociocultural processes sociocultural system standpoint style supersensory system of truth Taoist theories thinkers thirteenth tion total Number totalitarian traits trend truth of faith truth of senses twelfth twentieth century type of culture values Visual weight Percentage