Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 6 - 10 z 100.
Strana 24
... heart's ease , Whilst they behold a greater than themselves : And therefore are they very dangerous . I rather tell thee what is to be fear'd Than what I fear ; for always I am Cæsar Come on my right hand , for this ear is deaf , And ...
... heart's ease , Whilst they behold a greater than themselves : And therefore are they very dangerous . I rather tell thee what is to be fear'd Than what I fear ; for always I am Cæsar Come on my right hand , for this ear is deaf , And ...
Strana 26
... heart prompted his head . His habitual jealousy made him fear the worst that might happen , and his irritability of temper added to his inveteracy of purpose , and sharpened his patriotism . The mixed nature of his motives made him ...
... heart prompted his head . His habitual jealousy made him fear the worst that might happen , and his irritability of temper added to his inveteracy of purpose , and sharpened his patriotism . The mixed nature of his motives made him ...
Strana 28
... heart . It leaves nothing indifferent to us that can affect our common nature . It excites our ' sensibility by exhibiting the passions wound up to the utmost pitch of the power of imagination or the temptation of circumstances ; and ...
... heart . It leaves nothing indifferent to us that can affect our common nature . It excites our ' sensibility by exhibiting the passions wound up to the utmost pitch of the power of imagination or the temptation of circumstances ; and ...
Strana 30
... heart . The third act of OTHELLO is his master - piece , not of knowledge or passion separately , but of the two combined ; of the knowledge of char- acter with the expression of passion , of consummate art in the keeping up of ...
... heart . The third act of OTHELLO is his master - piece , not of knowledge or passion separately , but of the two combined ; of the knowledge of char- acter with the expression of passion , of consummate art in the keeping up of ...
Strana 32
... heart more against her . In his conversa- tions with Desdemona , the persuasion of her guilt , and the immediate proofs of her duplicity seem to irritate his resentment and aversion to her ; but in the scene immediately preceding her ...
... heart more against her . In his conversa- tions with Desdemona , the persuasion of her guilt , and the immediate proofs of her duplicity seem to irritate his resentment and aversion to her ; but in the scene immediately preceding her ...
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admiration affections Beaumont and Fletcher beauty Ben Jonson blood breath Cæsar Caliban character comedy Coriolanus critic CYMBELINE D'Ol death delight Desdemona dost doth dramatic Duke effeminacy Endymion equal Eumenides eyes Falstaff fancy fear feeling fire fool fortune friends genius give grace hand hast hath hear heart heaven Henry honour human Iago imagination Jeremy Taylor Jonson king kiss lady Lear learning live look lord Macbeth MALVOLIO manner MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion person pity play pleasure poet poetical poetry pride prince quincunxes racter rich Richard Richard III scene seems Sejanus sense sentiment Shak Shakspeare Shakspeare's sleep soul speak speech spirit striking style sweet tell tender thee things thou art thought tion Titus Andronicus tragedy true truth unto wife words writers youth