The British and Foreign Review: Or, European Quarterly Journal, Zväzok 13J. Ridgeway and sons, 1842 |
Vyhľadávanie v obsahu knihy
Výsledky 6 - 10 z 53.
Strana 33
... look at the question for an instant , and it resolves itself . An artist has a certain aim ; to attain this he must use cer- tain means : is he to be ignorant of them for the better em- ployment of them ? He must not only ascertain ...
... look at the question for an instant , and it resolves itself . An artist has a certain aim ; to attain this he must use cer- tain means : is he to be ignorant of them for the better em- ployment of them ? He must not only ascertain ...
Strana 34
Or, European Quarterly Journal. has not a spontaneous look ; and hence Göthe compared Greek Art to a volcano burning beneath a covering of ice ; and this " coldness " has been universally felt ; nor is the difference of religion and ...
Or, European Quarterly Journal. has not a spontaneous look ; and hence Göthe compared Greek Art to a volcano burning beneath a covering of ice ; and this " coldness " has been universally felt ; nor is the difference of religion and ...
Strana 43
... looks over the catalogue of his writings will marvel at the exceed- ing activity of a genius so profound . Nor is his acquaintance with Art , ancient and modern , as seen in his Lectures on Esthetics , ' less surprising . Accustomed as ...
... looks over the catalogue of his writings will marvel at the exceed- ing activity of a genius so profound . Nor is his acquaintance with Art , ancient and modern , as seen in his Lectures on Esthetics , ' less surprising . Accustomed as ...
Strana 46
... ference to the external , and this internal freedom , which raises them to the ideal . In Paris there is a portrait of a boy by Raphael ; he leans his head idly on his arm , and looks forth on the 46 Hegel's Esthetics .
... ference to the external , and this internal freedom , which raises them to the ideal . In Paris there is a portrait of a boy by Raphael ; he leans his head idly on his arm , and looks forth on the 46 Hegel's Esthetics .
Strana 47
Or, European Quarterly Journal. idly on his arm , and looks forth on the wide world with such holy , quiet contentedness , that it is almost impossible to tear oneself away from this spiritual health and clearness . Murillo's Boys have ...
Or, European Quarterly Journal. idly on his arm , and looks forth on the wide world with such holy , quiet contentedness , that it is almost impossible to tear oneself away from this spiritual health and clearness . Murillo's Boys have ...
Iné vydania - Zobraziť všetky
The British and Foreign Review: Or, European Quarterly Journal ..., Zväzok 10 Úplné zobrazenie - 1840 |
Časté výrazy a frázy
admirable æsthetics ancient appear Argovia artists Basel-country battle of Bouvines beautiful Boniface Borrow called canton of Zurich cantons Cardinal Catholic century character Christian chronicler Chronique church classes collection constitution criticism doubt duty English engraved evil execution existence expression eyes favour feeling France French gems genius German gipsy give Glenalbert Greek hand heart Hegel honour idea intaglio interest Jews king labour learned less Lord matter means ment mind moral nature never object opinion painting party passages passion peculiar Periclean age Phidias philosophy Pikler poet poetry political Polygnotus Poniatowski Pope possess present principle Prussia racter Raffaelle readers reform religion religious remarkable says sculpture Sephardim Sisebut society Solger Spain spirit style Switzerland Tallemant taste thing thought Thurgovia tion true truth Valais Vaud Viola whole words XIII.-Nº
Populárne pasáže
Strana 6 - The other shape, If shape it might be call'd, that shape had none Distinguishable in member, joint, or limb, Or substance might be call'd that shadow seem'd, For each seem'd either ; black it stood as night, Fierce as ten furies, terrible as hell, And shook a dreadful dart ; what seem'd his head The likeness of a kingly crown had on.
Strana 474 - Fear ye not me? Saith the LORD: will ye not tremble at my presence, which have placed the sand for the bound of the sea by a perpetual decree, that it cannot pass it: and though the waves thereof toss themselves, yet can they not prevail; though they roar, yet can they not pass over it?
Strana 12 - I see before me the gladiator lie : He leans upon his hand ; his manly brow Consents to death, but conquers agony, And his drooped head sinks gradually low ; And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder-shower ; and now The arena swims around him ; he is gone, Ere ceased the inhuman shout which hailed the wretch who won.
Strana 525 - Westward the course of empire takes its way, The four first acts already past, A fifth shall close the drama with the day : Time's noblest offspring is the last.
Strana 9 - The breath and finer spirit of all knowledge, The impassioned expression Which is in the countenance of all science.
Strana 25 - Poets, according to the circumstances of the age and nation in which they appeared, were called, in the earlier epochs* of the world, legislators or prophets : a poet essentially comprises and unites both these characters. For he not only beholds intensely the present as it is, and discovers those laws according to which present things ought to be ordered, but he beholds the future in the present, and his thoughts are the germs of the flower and the fruit of latest time.
Strana 534 - The strenuous toil of the gentleman has been to raise an inconsistency between my dissent to the tariff in 1824 and my vote in 1828. It is labor lost. He pays undeserved compliment to my speech in 1824; but this is to raise me high, that my fall, as he would have it, in 1828, may be more signal.
Strana 15 - Poetry and eloquence are both alike the expression or utterance of feeling. But if we may be excused the antithesis, we should say that eloquence is heard, poetry is overheard. Eloquence supposes an audience; the peculiarity of poetry appears to us to lie in the poet's utter unconsciousness of a listener.
Strana 15 - Eloquence supposes an audience; the peculiarity of poetry appears to us to lie in the poet's utter unconsciousness of a listener. Poetry is feeling confessing itself to itself, in moments of solitude, and embodying itself in symbols which are the nearest possible representations of the feeling in the exact shape in which it exists in the poet's mind.
Strana 535 - Having voted against the tariff originally, does consistency demand that I should do all in my power to maintain an unequal tariff, burdensome to my own constituents in many respects, favorable in none? To consistency of that sort, I lay no claim. And there is another sort to which I lay as little, and that is, a kind of consistency by which persons feel themselves as much bound to oppose a proposition after it has become a law of the land as before.