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" It is false that any representation is mistaken for reality, that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. "
The Miscellaneous Prose Works of Sir Walter Scott, Bart - Strana 307
podľa Walter Scott - 1834
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Common-sense and the Muses

David Graham - 1925 - Počet stránok 380
...in trying to arouse such emotions no attempt is to be made to confound representation with reality. "It is false that any representation is mistaken for...credible, or, for a single moment, was ever credited. . . . Imitations produce pain or pleasure, not because they are mistaken for realities, but because...
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The Harvard Classics, Zväzok 39

1909 - Počet stránok 498
...pronounces to be false. It is false, that any representation is mistake for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next...
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Literary Criticism: Pope to Croce

Gay Wilson Allen, Harry Hayden Clark - 1962 - Počet stránok 676
...position which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for...credible, or for a single moment was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next...
Obmedzený náhľad - O tejto knihe

Neo-Classical Dramatic Criticism 1560-1770

Thora Burnley Jones, Bernard De Bear Nicol - 1976 - Počet stránok 200
...of time and place. 'It is false that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment was ever credited.' Drama can only be credited, he says in a pregnant phrase, 'with all the credit due to drama'. Indeed,...
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The Shakespeare Revolution

J. L. Styan - 1983 - Počet stránok 308
...remaining aware of its artifice. It is appropriate to recall Dr Johnson's apparent self-contradiction: 'It is false, that any representation is mistaken...credible, or, for a single moment, was ever credited,' and 'Delusion, if delusion be admitted, has no certain limitation.'18 Bethell set himself the task...
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McGraw-Hill Encyclopedia of World Drama: An International Reference Work in ...

McGraw-Hill, inc - 1984 - Počet stránok 538
...century later, Samuel Johnson (1709-1784) in his famous Preface to Shakespeare's plays (1765) stated: "It is false, that any representation is mistaken...credible, or, for a single moment, was ever credited." And in 1817 Samuel Taylor Coleridge (1772-1834) added his voice to the defeat of verisimilitude with...
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Illusion and the Drama: Critical Theory of the Enlightenment and Romantic Era

Frederick Burwick - 2010 - Počet stránok 357
...involved. After having asserted that no "representation is mistaken for realiiy," that no "dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited," Johnson goes on to argue that credibility derives from the contemplation of the emotional effects:...
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Aesthetic Illusion: Theoretical and Historical Approaches

Frederick Burwick, Walter Pape, University of California (System). Humanities Research Institute - 1990 - Počet stránok 494
...examined before: "It is false, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited."50 Certainly one should be able to entertain the change on the stage from one place to another...
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Sources of Dramatic Theory: Volume 2, Voltaire to Hugo

Michael J. Sidnell - 1991 - Počet stránok 298
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or. for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next...
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William Shakespeare: The Critical Heritage, Zväzok 5

Brian Vickers - 1995 - Počet stránok 585
...pronounces to be false. It is false that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next...
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