 | Pauline Kiernan - 1998 - Počet stránok 236
...critic, 'by the authority of Shakespeare', that he must assume 'as an unquestionable principle' that '// is false, that any representation is mistaken for...credible, or, for a single moment, was ever credited' (my emphasis)3. In our own century, semioticians have refuted the Coleridgean position. In The Semiotics... | |
 | Scott D. Evans - 1999 - Počet stránok 180
...statement, refutes: "It is false, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited" (76). Johnson foregrounds the question of what makes drama engage the intellectual sympathy of audiences... | |
 | William Shakespeare - 2001 - Počet stránok 448
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or, for a single moment, was ever credited. ' The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
 | Michael McKeon - 2006 - Počet stránok 942
...drama credible." But it "is false, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. . . . Delusion, if delusion be admitted, has no certain limitation .... The delight of tragedy proceeds... | |
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It is false that any representation is mistaken for reality, that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited. 
