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" Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body. "
Remarks, Critical, Conjectural, and Explanatory, Upon the Plays of ... - Strana 440
podµa E. H. Seymour - 1805
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The Dictionary of Love

Theocritus Junior - 2003 - Počet stránok 280
...gentleman always manifests in the presence of ladies. Of a bold woman Shakspeare says: " Fy, fy upon her J There's language in her eye, her cheek, her lip, Nay, her foot speaks; her wanton spirit looks out At every joint and motion of her body. 0 these encounterers, so glib of tongue, That...
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Discourses of Empire: Counter-epic Literature in Early Modern Spain

Barbara Simerka - 2003 - Počet stránok 224
...Patroclus's lead in mocking Menelaus for being a cuckold. Ulysses is moved by this encounter to decide that "her wanton spirits look out / at every joint and motive of her body" ( TC 1X^.5ti—57). He reiterates this impression as he leads Troilus to where he can spy on Cressida...
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Charm Hunter

R. W. Alexander - 2004 - Počet stránok 208
...her photo. He exploded, "Holy catnip! You weren't lying, Ribit!" He quoted from Troilus and Cressida. "There's language in her eye, her cheek, her lip,...look out, at, every joint and motive of her body." He turned to Ribit. "Pray tell, where the devil is this Goddess?" "We're Still looking for her-" "Well,...
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Boswell's London Journal, 1762-1763

James Boswell - 2004 - Počet stránok 370
...Cressida, IV, v. 62: Fie, fie upon her! There's a language in her eye, her cheek, her lip, Nay, he1 foot speaks; her wanton spirits look out At every joint and motive of her body. 0 these encoun'.erers, so glib of tongue, That give a coasting welcome ere it comes, And wide unclasp...
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Eternal Bonds, True Contracts: Law and Nature in Shakespeare's Problem Plays

A. G. Harmon - 2004 - Počet stránok 195
...worth" (4.4.132-33). And after she allows herself to be passed around the Greek camp, Ulysses says, "There's language in her eye, her cheek, her lip; / Nay, her foot speaks" (4.5.56-57). The Greeks show how very similar they are to the Trojans by also discounting Helen's value....
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Mythenkorrekturen: zu einer paradoxalen Form der Mythenrezeption

Martin Vöhler, Bernd Seidensticker, Wolfgang Emmerich - 2005 - Počet stránok 486
...Schönheitskatalogs pervertiert und die sexuelle Beredtheit aller ihrer Körperteile ausbuchstabiert: There's language in her eye, her cheek, her lip. Nay,...spirits look out At every joint and motive of her body. (4.5.56-58) An ihr spricht alles, Augen, Wangen, Mund. Ja selbst ihr Fuß spricht; Brünstigkeit schaut...
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The Practical Shakespeare: The Plays in Practice and on the Page

Colin Butler - 2005 - Počet stránok 205
...her wit. But when it is over, Nestor's verdict is "A woman of quick sense," to which Ulysses adds, "[H]er wanton spirits look out / At every joint and motive of her body." Nestor may be referring to Cressida's wit, but what has Ulysses seen? Does Cressida really reveal wantonness...
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The Shakespeare Code

Virginia M. Fellows - 2006 - Počet stránok 362
...leader Ulysses immediately recognizes her nature through what, in these times, we call body language: There's language in her eye, her cheek, her lip; Nay,...spirits look out At every joint and motive of her body. O, these encounters, so glib of tongue, That give a coasting welcome ere it comes, And wide unclasp...
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Operation Freewill

Daniel P. Miller - 2006 - Počet stránok 211
...their clothes back on they hear the last of Riley's fragmented recitation echoing through the corridor, "There's language in her eye, her cheek, her lip:...spirits look out at every joint and motive of her body." Embarrassed and blushing Cassidy says, "I'm sorry about that, Kate." "Don't worry about it," she leans...
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Twentieth-century British Authors and the Rise of Opera in Britain

Irene Morra - 2007 - Počet stránok 138
...her treachery comes across as inevitable and consistent with her character. Ulysses notes, "There's a language in her eye, her cheek, her lip;/ Nay, her...spirits look out/ At every joint and motive of her body" (4.5.64-6). Without any overt encouragement, Cressida strokes Diomedes' cheek, calls him a "sweet honey...
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