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...she was seen to be in need of education and polish."; John Steegman, The Rule of Taste, op.cit., S. 4 To make mankind, in conscious virtue bold, Live o'er each scene, and be what they behold."1 Und weiter heißt es über Cato selbst: "He bids our breasts with with ancient ardour rise,...

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...that the function of dramatic representation is To wake the Soul by Tender Strokes of Art, To raise the Genius, and to mend the Heart, To make Mankind...bold, Live o'er each Scene, and Be what they behold: 4 1' In this new modern model the "Virtue" which we are to be brought to emulate is, of course, public...

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...'Prologue to Mr Addison's Tragedy of Cato\ and there the poet tells us that the tragic muse wishes 'To make mankind, in conscious virtue bold / Live o'er each scene, and be what they behold'.40 What happens when the second half of the line is dropped by Boswell? An ambiguity is opened,...

...the language of the heart. — Alexander Pope /.o wake the soul by tender strokes of art, To raise the genius, and to mend the heart; To make mankind,...behold: For this the Tragic Muse first trod the stage. — Alexander Pope, Prologue to Mr Addison's Cato f The HOLIEST of all HOLIDAYS are those Kept by ourselves...

...playlets. He signals his intention by quoting part of a couplet from Pope's prologue to Addison's Cato: "To make mankind, in conscious virtue bold, / Live o'er each scene, and be what they behold." S This couplet not only exhorts the audience to emulate the worthy protagonist; it also suggests that...